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Date Posted: 03:30:31 09/09/04 Thu
Author: Black
Author Host/IP: pcd600207.netvigator.com / 218.102.132.207
Subject: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁?

肈叫だㄉ種ǎ谅!

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[> Re: 我想係屋企??，但又太吵了，saxphone 有沒有?似弱音器的東西? -- mark VI, 10:32:58 09/09/04 Thu [1] (NoHost/202.73.1.98)

老?題。

如果你指的是如銅管樂器用的一?塞在喇叭口的東西，答案是沒有。沒有這樣理想的東西，所以色士風沒有miles davis。

坊間有?隔音套可將色士風包往來??，你又或可用毛巾卷好輕輕塞往出口等等，你可??。

我的??是大?吹好容易，好激昂，???吹好婉轉動?，但要高技巧，我現在正在這方面??。

?你有一天做到可以随時随地随意吹而又不會吵的時侯..................太美妙啦。

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[> Re: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁? -- 10M, 11:39:05 09/09/04 Thu [1] (n218250094078.netvigator.com/218.250.94.78)

打開衣櫃，對住個衣櫃吹。

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[> Re: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁? -- abc, 01:51:06 09/12/04 Sun [1] (n218103230051.netvigator.com/218.103.230.51)

use silent bag

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[> Re: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁? -- kobe, 06:27:48 10/22/04 Fri [1] (awork118203.netvigator.com/203.198.114.203)

闽みО︾耫猭

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[> Re: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁? -- g, 14:42:18 10/22/04 Fri [1] (NoHost/141.161.35.2)

There's really nothing you can do. Stuffing stuff in the bell is totally idiotic and useless in terms of getting any progress done in a practising session. The whole point of practising is to get yourself familiar with the sound of the saxophone, as well as controlling it. Now if one can think logically, having external objects placed in the bell would definitely affect the intonation and the air flow of the instrument, you would feel WAY different by doing that. The best solution is to practise somewhere else if your home really does not permit that level of "noise" during your practise session. You are suppose to blow and listen when you practise, that's how you get a better sense of good intonation and air-control technique.

I hope your teacher didn't agree with you that you should put a pair of socks in the bell while practising, if he really does, get another teacher.

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[> Re: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁? -- mark VI, 18:37:52 10/22/04 Fri [1] (cm203-168-166-187.hkcable.com.hk/203.168.166.187)

Has it ever cross any of your minds that part of the problem is in the loudness of the sax, of the practice.

I was thinking if you can play it softly, or may be, just not too loud, you won't have so much of a problem. The trouble is, of course, we cannot play softly and still get good intonation, good tone/sound, breath control and techniques.....etc.

But what if the music/dynamics requires that it be played softly? We cannot do it! It is way easier to play sax loudly than to play it softly, almost impossible! The control required is incredible.

Now if some day we are so good at it that we can play the sax at whatever dynamics/loudness we like any time we want to. We are socialable at home, to our neighbours, to anyone around us just like the youngster practicing violin next door. People can hear that you are playing the sax but its not too loud or annoying...........

Think about it.

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[> Re: и稱玒絤策びsaxphone Τ⊿Τ摸畓竟狥﹁? -- g, 14:30:39 10/23/04 Sat [1] (NoHost/141.161.35.2)

I was in this master class a while ago and the person told me that if you can play as soft as possible, with the same level of control and intonation, you actually get more control and volume when you play loud, like when you are at a gig.

Just a random thought, I try to play as soft as I can manage when I practise, and I do see the improvements in my playing.

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