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Subject: 5x21R: The Firm


Author:
VKMax
[ Next Thread | Previous Thread | Next Message | Previous Message ]
Date Posted: 19:29:18 03/13/04 Sat
Author Host/IP: 62.252.0.6

EXT – WAREHOUSE – NIGHT

Gunn stands proudly as the trail of fire leads back to the warehouse with Cordelia inside

GUNN
You lost your motto man
(laughs)
Help the helpless? Can’t even help yourself

Connor looks at Angel with a sparkle in his eye – no words are exchanged, Angel simply blinks back at him.

Within seconds of Angel nudging Wesley’s arm both men charge at Gunn with their weapons. Gunn is clearly distracted by the fight – enough so that Connor can sprint over the external cars and crash into the warehouse.

INT – WAREHOUSE – NIGHT

Connor is trudging his way through the thick, dark smoke, coughing all the while as he calls out Cordelia’s name

CORDELIA (O.S)
Angel?

CONNOR
Cordy?

CORDELIA (O.S)
Angel! Oh thank god it’s…

Connor comes face to face with Cordelia

CORDELIA
The much shorter, slimmer, paler alive version of you

CONNOR
Sorry to disappoint

CORDELIA
Small talk later – rescuing now

EXT – WAREHOUSE – NIGHT

Gunn has thrown Wesley out and over the fence, luckily landing on a patch of wet, freshly sprinkled grass.
Angel continues the fight until Gunn looks over his shoulder and spots a small slash of red hair coming from inside the car.

INT – WESLEYS CAR – NIGHT

Willow is kneeling in the car reading from an old book – a spell that sends tiny purple lights crackling into the air by the warehouse causing rain to tumble down onto it. She takes a breath and turns the page ready to cast a repellent as a shadow looms over her.

Fearfully she looks up through the window to see Gunn standing over her – she scurries through the pages desperately looking for the spell as Gunn vanishes.

WILLOW
Okay?

She calms briefly until the car begins to shake with her inside.

EXT – WAREHOUSE

Wesley comes limping back in to see a bloodied Angel looking on in shock as Gunn holds the car about seven inches about this head – flinging it hard across the yard – it flies for about eight feet before spinning down onto the ground.

Through the window, Willow can be seen – a thick streak of blood flowing from her head.

ROLL CREDITS

David Boreanaz
Vincent Karthieser
Amy Acker
J August Richards
James Marsters
Stephanie Romanov
And Alexis Denisof

Special Guest Star
Charisma Carpenter
Alyson Hannigan as Willow
And Julie Benz as Darla

Guest Starring
Mercedes McNab, Jonathan M. Woodward, Brian T. Skala, Merle Smith, Mark Lutz as Groo
And
Alexa Davolas as Gwen

INT – WAREHOUSE

Connor is carrying Cordelia through the flames as cars explode behind them – metal and wood from the beams, shatter around them, scattering like…

***flashback***

Connor and Cordelia stand at the window during the rain of fire

***now***

Cordelia holds onto Connor for dear life, holding herself tighter around his neck

***flashback***

“that” scene in with Connor and Cordelia during the rain of fire

EXT – WAREHOUSE

ANGEL
Willow!

Angel leaps up and heads to the car, Wesley pulling him back

WESLEY
Angel…

He indicates Gunn stomping over to the warehouse as Connor and Cordelia emerge

WESLEY
I’ll help Willow
(hard)
Take him down!

Angel smiles at Wesley with sorrow before the two springs off into their separate places.

ANGEL
Gunn!
(pause)
You big lug I’m talking to you!

GUNN
What did you call me?

ANGEL
Big lug – yeah ya big dumb animal

GUNN
Oh no you didn’t

ANGEL
Yeah I did
(oops)
and…now as you’re marching at me like that, I can see I might have pissed you off which of course means you can – kick any butt from me to Jennifer Lopez

GUNN
That’s about right…
(seeing Wesley pulling a now conscious Willow from the crushed window)
What’s with the British invasion?

Gunn forwards to move past Angel pausing as he hears

CONNOR
Run!
(yelling)
Now!

Connor sprints past Gunn whilst holding Cordelia, Wesley is holding Willow and Angel stands still

CONNOR
Angel!

ANGEL
Sorry Gunn!

Gunn looks at him confused as Angel turns and runs – flung forward as the entire warehouse explodes into flames behind him. Cordelia, Connor, Willow, Angel and Wesley all lay breathless and in shock in the middle of the path infront of the warehouse.

CORDELIA
Is he…

WILLOW
Not even close…I can feel the power
(panting)
He’ll be back

CUT TO.

WOLFRAM & HART CARPARK

Where we left off…

FRED
Knox?

LILAH
It’s not him

FRED
What?

LILAH
It’s just a shell Fred – it’s not him, the contract they all signed, wasn’t completed

FRED
I don’t understand

LILAH
It’s just darkness, the power needs a cell to animate itself – to touch and destroy, that’s all it is, his body

FRED
That’s sick

LILAH
Because you often expect higher standards here

SPIKE
Ladies hate to piss of the party ‘ere but zombies lookin’ to eat brains

LILAH
They’re not…

GWEN
Hey Napoleon can we save the lectures for detention?

HARMONY
How is she vanilla, chocolate and strawberry ice cream dumbness?!

GWEN
Napoleon
(stress)
NOT Neapolitan

SPIKE
Oi! I’ve asked nice now come and kill or…beat up the dead guys and you two can…
(pause)
Where’d Fred go?

HARMONY
Um, Spikey – those dead guys, they don’t look like they’re gonna kill us

Harmony walks over to them

HARMONY
They’re not even human

SPIKE/GWEN
Ya think?!

HARMONY
I mean they’re not real…Look

Harmony waves her hand through them – just a projection

SPIKE
(laughing in disbelief)
A bloody hologram – we got ready to fight a bloody…

HARMONY
Spikey…

SPIKE
I can’t even believe it you know I thought they looked a bit…

HARMONY
Spike…

SPIKE
But then…

HARMONY
HEY!

SPIKE
What?!!?!

HARMONY
(quiet)
Incoming

Spike and Gwen turn to see a small army of former clients and colleagues lined up and ready, including the shells of Sirk, Knox and Lacey – definitely not axe wielding illusions

GWEN
I need to get safer friends

Spike roars “Come on” as Harmony goes into game face, Gwen removes her gloves and the two armies charge at each other.

END OF PART ONE

INT – WOLFRAM & HART

Fred & Lilah rush along the corridor with immense speed having backed away from the others in order to retrieve the needed information.

LILAH
Stay close and don’t act suspicious

FRED
It’s kinda hard not to

LILAH
They can smell fear as if it were a barbecue – don’t sweat it
(beat)
Literally

FRED
Why are you helping?

LILAH
I think you know why and I don’t think this is the time to get into…Mr. Shepherd! Good evening sir.

Fred shuffles awkwardly as Mr. Sheperd, Angel’s department temp, stands ahead of them.

SHEPERD
Burkle, Morgan

LILAH
Mr. Sheperd, Winifred and I were just heading up to the laboratory to see if we can…

SHEPERD
The Lab has been closed Ms. Morgan

FRED
Closed? Why?

SHEPERD
One of our staff, a friend of yours I believe – he’s taken on a new attitude to life which seems to have caused some mild, shall I say, discomfort amongst the staff and clientele.

LILAH
What sort of discomfort?

SHEPERD
The kind that destroys thousands of files and equipment kills several people and outs the electricity hours after leaving the building.

LILAH
That sounds so hot with your English accent

SHEPERD
Why thank you Miss Morgan and might I say, for a dead person you’re rather fresh yourself today

Sheperd smiles cunningly as he walks away, bumping into a lifeless Lilah on his way.

FRED
The labs are closed off?

LILAH
Not to me

FRED
Really? Because he gave the impression that you’re not too popular here

LILAH
Trust me

Lilah walks off, rummaging through her bag as Fred soon skittles behind her.

FRED
Is that a rhetorical request?

CUT TO.

INT – WILTONS MANSION

Groo remains alone in the mansion whilst Mrs. Wilton attends Bingo – he’s stood steaming Angels pants as the door flings open – Angel tumbles in holding Willow whilst Cordelia limps between Wesley and Connor.

GROO
Princess, you’re all muddy

CORDELIA
Don’t even

ANGEL
We don’t have much time if what Willow says is true then…
(beat)
Are those my paints?

GROO
Steam cleaned

ANGEL
Fabric softener?

GROO
The spray kind

ANGEL
Nice

WESLEY
Angel!

ANGEL
Sorry. We don’t have much time – sooner or later he’s gonna find us

CONNOR
So what? We just keep running, I’m not doing that

ANGEL
None of us are.

CORDELIA
Um, Angel running it sounds good and last time you made an executive decision, well, look at the big bald bad we’re running from

Angel stands silently before flicking his head up

CORDELIA
Epiphany?

ANGEL
Almost – Willow how do you feel?

WILLOW
Like I just got thrown around car and lived

ANGEL
(blank)

WILLOW
I’m able

ANGEL
Get rid of the mansion

WILLOW
Um…

ANGEL
So that Gunn can’t see it

WILLOW
Oh! That makes more sense than what was in my head
(pause)
Dynamite

GROO
No Mrs Wilton will not like that

CORDELIA
No sweetie, there’s no exploding…

WILLOW
Don’t say that under oath

WESLEY
Angel where are you going?

ANGEL
To…do something in my room and then see an old friend

Angel leaves the other four standing/sitting wide mouthed

CONNOR
Is he going to…

WESLEY
No! Surely not…

CORDELIA
He can’t anyway can he? I mean – the curse?

WILLOW
Cordelia, he’s been having sex all year

CORDELIA
Right but that doesn’t count, I’m sure he wouldn’t…by himself…at a time like this

(Long pause)

GROO
Tea?

CUT TO.

EXT – WOLFRAM & HART CARPARK

Around eight broken bodies lay scattered across the ground as Gwen and Harmony remain fighting

GWEN
Billy Idol gonna take any longer getting back up?

HARMONY
Billy Idol’s here…never mind.

Harmony punches one of the zombies in the face before turning to Gwen

HARMONY
This sucks. We’re hot girls and we’re expected to do their jobs? I’ve already broken two nails

GWEN
Way of the world precious
(zap)
Least they’ll have dinner on the table when we get home

HARMONY
Really?! Cause did you know these zombie things…
(huff)
They don’t have blood

GWEN
No kidding!

HARMONY
I know!

GWEN
Hate to break up the party Barbie Girl but we gotta jet – these numbers are growing like my I.Q around you

HARMONY
Huh?

GWEN
We’re leaving!

As the girls turn to leave they are confronted by another, almost Identical set of zombies from all corners except the door.

GWEN
Looks like we’re going in doll

Gwen slams her hand on the closed door as it springs open – both girls dive in and freeze in the moment

GWEN
Was some ride

HARMONY
Yeah, my ankles must look so swollen

Gwen takes a breath to reply with a witty put down but it put off as the elevator begins to travel down at double the speed.

CUT TO.

EXT – MANSION

Spike comes sprinting down the road at an amazing pace – stopping as he skids the corner completely breathless

SPIKE
Bloody hell! I could’ve sworn it was there!

Spike takes in deep breaths and turns to run off again as Angel steps out of a door that seems to appear in the air.

SPIKE
Where’d you…
How come…
(pause)
Where’d the bleedin’ house gone?

ANGEL
It’s invisible

SPIKE
Right – won’t that make the keyhole a bitch?

ANGEL
Aren’t you meant to be with the girls?

SPIKE
Yeah – we’re getting our asses kicked

ANGEL
So you left them?

SPIKE
To get help

ANGEL
You left them.

SPIKE
Harmony is eatin’ anything that moves and sparky’s goin’ off like July 4th they got it covered
(beat)
Little bit

ANGEL
What about Lilah and Fred?

SPIKE
What is this bloody Oprah?
(getting frustrated)
Less of the chattin’ and let’s go and save them

ANGEL
Get in the car

SPIKE
What you out here for any how? Is…

ANGEL
He’s not dead – tried to set Cordelia on fire and crush Willow, not he’s…I don’t know where

SPIKE
I should get my own car

ANGEL
You’re on my way

SPIKE
To where?

ANGEL
Hell.

CUT TO.

INT – WOLFRAM & HART

Lilah stands round a dark corner with Fred as four guards remain outside the door of the laboratory. Lilah pulls a pen knife from her bag and slashes her neck at the side

FRED
(shocked)
What are you doing?

Lilah pushes Fred out of sight and limps, half screaming down the corridor

LILAH
Help! Gunn – he’s back, he just he tried to

GUARD
It’s okay Ms. Morgan we’ll handle it – where was he when he attacked you?

LILAH
North sector

GUARD
You ran here from the North sector?

LILAH
Strange how you lose sight of mileage when you’re bleeding to death

GUARD
You want me to take you to med?

LILAH
No! Just kill him!

GUARD
(To Guards)
You heard the lady!

The guards march off out of sight as Fred sneaks out to Lilah’s side

LILAH
I should get an emmy

FRED
What exactly are we looking for?

LILAH
I thought that was your department

FRED
No!

LILAH
Well then let’s hope we find a big folder labelled “Big Bad Gunn”

FRED
Or this
(beat)
I remember this file

LILAH
What is it?

FRED
The Project or so you stamped it when you had it passed on to me

LILAH
Are you trying to get trip me?

FRED
Don’t need to.
(pause)
We’ve got what we came for, let’s go.

Both Lilah and Fred freeze on the spot as everything around them fades to white.

They find themselves stood, alongside Gwen and Harmony in the centre of the empty white room.

GWEN
Minimalism – nice

HARMONY
Okay this room is way boring! And…what’s her deal?

Harmony points Lilah and Fred in the direction of Gwen who is bundled in the corner shaking – the girls fade out leaving Gwen alone as the entire room becomes an abandoned factory.

Gwen is sat in the middle of it as sparks and electricity fling and flash from all corners in her direction

GWEN
Stop it!

She stands and sprints through the factory leaping from piece to piece as the sparks follow her, one striking her down to the floor causing Lisa to fall from inside her top.

GWEN
You don’t control me

The sparks scatter around her until she rises to her feet, raising her hands

GWEN
You don’t OWN ME!!!

Fade to white.

Fred is stood in a large field, a small mountain at one side. She journeys across to the mountain and walks around the edges where she comes to see a small town – She’s in Pylea.

Fred gasps and takes a step back before being spotted by the market crowds who silence before charging at her screaming “cow”

CUT TO.

EXT – WOLFRAM & HART

Angels skids to the front doors of Wolfram & Hart with Spike and charges in (slow motion) Reservoir Dogs style.

One of the Guards approaches Angel – he’s floored instantly.

SPIKE
Where we headin’?

ANGEL
Someone’s expecting me

They come to the doors of an elevator and stare awaiting them to open.

Once opened, they step inside very casually as Angel presses in the code for the white room

ANGEL
That’s your stop

SPIKE
What do I do there?

ANGEL
Get in. Solve whatever puzzle is there. Get out.

SPIKE
What’s your stop?

Angel looks blankly before punching his finger onto a button marked SP

SPIKE
Spikes Perfect?

ANGEL
Senior Partners

Spike looks at Angel in shock as the elevator doors close on them

END OF PART TWO

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Replies:
[> Subject: 5x21R: The Firm


Author:
VKMax
[Edit]

Date Posted: 19:30:39 03/13/04 Sat
Author Host/IP: 62.252.0.6

INT –WHITE ROOM/ILLUSION ROOM

Lilah is stood in her office at Wolfram & Hart

LILAH
This is…

She scurries to hide as the door opens, her former self and one of the higher partners enters. She sits and shakes his hand

Lilah (real Lilah) looks on before closing her eyes in shame as the other Lilah grins and signs a contract.

FADE TO WHITE.

Harmony is stood in a white room as a small gust of wind flows through

HARMONY
Where the hell am I?

She looks around the empty, airy space as Unicorn steps out in front of her

HARMONY
Okay, freaky
(smiles)
But pretty

FADE TO WHITE.

Harmony is stood in the exact same spot only the Unicorn is no longer there – she’s back in the white room. Everyone is still huddled in corners as Spike arrives.

HARMONY
What are you doing here you big leave-alone-er

SPIKE
Came to save your ass

HARMONY
Kiss it Spike it doesn’t need saving!

SPIKE
Right, so then tell me, why is everyone shaking in corners?

HARMONY
Do I look like a dictionary Spike?

SPIKE
(what?)
Harmony

HARMONY
Look, I don’t know okay – One minute Gwen’s all throwing her hands in the air and Fred’s saying she’s not a cow, then I’m in this empty and windy room with a big unicorn

SPIKE
Don’t s’pose you ere in your own minds were you?

HARMONY
What?

SPIKE
It’d explain why you left the tour so damn early

HARMONY
Whatever Spike, you know I’m sick of
(pause)
Is that a goat behind you?

Spike turns to see a small ram plodding toward him.

SPIKE
Bit worse I’m afraid

CUT TO.

INT – A ROOM

Angel steps out of the elevator into almost complete darkness

VOICE
Why do you come here vampire?

ANGEL
You know why!

VOICE
We know all

ANGEL
Then you know that you’re getting predictable enough for me to know that I’m exactly where you want me to be

VOICE
It’s your down fall

ANGEL
Knowing stuff?

VOICE
Assuming that it’s always about you

CUT TO.

INT – MANSION

Connor is sat in the main room with Cordelia – both are in silence

CORDELIA
I remember you know?

CONNOR
I was wondering when that would come up

CORDELIA
You were?

CONNOR
Yeah I think it’s best that we don’t talk about it

CORDELIA
Ya think? But it’s a good thing though

CONNOR
That we slept together?

CORDELIA
(alarmed)
No! That is way repressed in the land of never-to-be-thought-or spoken of ever
(beat)
I remember, before Jasmine – you were there for me

Connor looks at the ground sadly as Willow and Wesley burst into the room

WILLOW
Wesley I trust you

WESLEY
What if I do it wrong?

WILLOW
You wont! And Besides I really gotta pee

CORDELIA
Is this a sex thing?

WILLOW
Wesley won’t take over the spell

CORDELIA
We’ll get Groo to do it

WESLEY
NO! no it’s fine I’ll do it

CORDELIA
Easy when you know how

WILLOW
Pee

Willow exits the room hastily, Connor follows immediately

CONNOR
Willow…

WILLOW
Ah…quick

CONNOR
I need you to do something for me

WILLOW
Is it going to the bathroom? Cause that, I can do

CONNOR
Go.

WILLOW
Thank you!

Two minutes later

Willow exits the bathroom to find Connor standing by the door

WILLOW
Oh, Hey you’re very much still here!

CONNOR
I need a spell

WILLOW
More spells? I should have a quota!

CUT TO.

INT – WHITE ROOM

HARMONY
Spike I don’t care about the stupid goat, there’s a big dog drooling at me

SPIKE
It’s a wolf!

HARMONY
A wolf?! Will it eat me?

SPIKE
Not if it’s got taste

HARMONY
Oh. My. God.

SPIKE
Now what?

HARMONY
Blood!

Harmony excitedly skips over and lifts a still beating heart from the floor

SPIKE
Do not do what I reckon you’re gonna do

But too late, her teeth are well into it

SPIKE
That’s disgusting

HARMONY
Oh please! Like you didn’t in my position

CUT TO.

INT – THE DARK ROOM

ANGEL
Tell me what I need to know

VOICE
You’re asking the wrong questions

ANGEL
How do I get Gunn back?

VOICE
Gunn is no longer

ANGEL
He’s not dead, yet, and he won’t be

VOICE
He’s dead to you

ANGEL
No he’s not!

CUT TO.

INT – WILTONS BASEMENT

Willow sits at the centre of a circle of red sand, Connor stands on the outside

WILLOW
One more time…for safety

CONNOR
(rolls eyes)
I, Connor do declare that I want Willow to reverse the mind spell completely. To stop, stopping the unravelling and encourage it’s course…

WILLOW
And…

CONNOR
I can not get pissed if there’s my hair ends up spiky and on fire

WILLOW
Okay, I think we’re ready…

CONNOR
Wait

Connor pulls out his cell phone and hits the speed dial “home”

CONNOR
It’s Connor
(pause)
Tell Dad and the kid, I love them

MOM (O.S)
Connor what’s wrong

CONNOR
I love you Mom

He hangs up the phone

WILLOW
You sure…completely?

CONNOR
They’re good people, they shouldn’t live a fake life

Willow passes a sympathetic smile before holding onto his hands and closing her eyes

EXT – WILTONS MANSION

Wesley stands with Cordelia and Groo on the porch as the skies begin to swirl, a dark shimmer flashes like a sheet of lightning as they roar and tumble in a rage.

INT – WILTONS BASEMENT

Willow’s eyes are jet black, a piercing white streak blinds the front of her hair. She gasps in as we flash around everyone (Cordelia, Wesley, Groo, Connor) their eyes blink as if something is restored.

EXT – WILTONS MANSION

The skies return to their normal state.

CORDELIA
Okay then.


CUT TO.

INT – WHITE ROOM –

Spike stares as Harmony throws the pale and bloodless heart to the floor, both animals flicker and fade away

SPIKE
What the…

As do Harmony, Lilah, Gwen, Fred, Spike and Harmony.

INT – THE DARK ROOM

Angel covers his eyes as a flash of light shimmers through the room revealing the ram and the wolf, both circle him – their jaws remain still however they speak for the partners.

WOLF
Why are you still here?

ANGEL
I’m not leaving until I have answers

RAM
I believe you’ve found those answers from Ms. Morgan

ANGEL
I don’t buy it, I don’t buy that I just have to wear him out

WOLF
How can you buy when we’re not selling – it’s a free gift. A Thank you for your time with us

ANGEL
What’s the catch?

RAM
Why must you look for the dark side to all that is grey?
(beat)
Even after his powers are gone – are you so sure he’ll be one of your own?

ANGEL
He’s always one of us

WOLF
What about the contract?

ANGEL
What about it?

WOLF
He, like Ms. Morgan, belongs to us now – he goes where we want, when we want him to.

CUT TO.

EXT – WAREHOUSE

Gunn erupts from the flames, tall and strong as ever – a thick, jet black venomous blood drips from his mouth.

He steps over to the crumbled car that Willow was in and kneels down, wiping his finger along the jagged glass.

He pulls his finger up and sniffs the blood, smiling instantly. Like a flash of light he’s gone with superman speed he jets down the long road.

CUT TO.

INT – WILTONS MANSION

Everyone is gathered in the living room looking deep in thought

WESLEY
I remember everything, all of it

CORDELIA
I slept with my best friends son when he was twelve months old

Willow passes a disturbed look to Cordelia

CORDELIA
In earth years

Again the silence is disturbed as Spike, Harmony, Lilah, Fred and Gwen (the last three of which are passed out) appear in the room in a flash.

WESLEY
What happened?

HARMONY
I saved us!

CORDELIA
Harm

SPIKE
S’true

WILLOW
What?

SPIKE
She ate a heart and here we are

WESLEY
Who’s heart?

SPIKE
Random, some goat thing was kickin’ about the floor

WESLEY
Goat

SPIKE
Ram, whatever

WESLEY
She ate THAT heart?

SPIKE
Yeah…

WESLEY
(grinning)
I have a feeling that Harmony may have just started the ultimate downfall of Wolfram & Hart

(O.S) GUNN
Think again!

END OF PART THREE

INT – WILTONS MANSION

Gunn remains in the doorway as Spike lunges at him, he’s immediately thrown across the room.

Harmony comes at him from behind (she snuck through the kitchen) and leaps on his back – playing the hero now. She has him struggling for a moment before being flung through the staircase and shattering it.

She lands hard as a piece of jagged wood goes straight through her




Stomach.

WILLOW
Resente!

GUNN
You’re magic couldn’t hide this place long enough

Willow throws Wesley a look

WESLEY
I sneezed!

GUNN
You think it can hold me now?

Willow stares at him hard as a shield (see ‘ShowTime’ BtVS) gathers in front of her

Cordelia and Wesley pull Fred and Gwen away as Connor heads in for the attack.

CUT TO.

INT – DARK ROOM

ANGEL
Why is there only two of you here?

WOLF
(harsh stare)

ANGEL
It’s gone isn’t it? The heart? The foundation…
(pause – looks up as if reaching to someone)
Thanks guys

***flashback***

Earlier that day

ANGEL
I need to get something from my room and see an old friend

Angel leaves the others and heads to his room – he walks over to the refrigerator and pulls out a sachet of blood.

***now***

Angel reaches to his inner breast pocket and pulls the blood out – he tears it open as the wolf begins to growl, ready to pounce – Angel flicks a dash of the blood at the floor, the wolf laps it up immediately and stretches for more.

Angel tears it open completely and pours the blood over the ram – he smiles content as the wolf leaps at the ram, tearing at it wildly.

ANGEL
Don’t ever tell me you’re not predictable

VOICE
You haven’t won Angel

ANGEL
We’ll see

VOICE
They still belong to us and they won’t be free until we say so

ANGEL
You think those contracts are good now that you’re out of business?

VOICE
You think ending the battle will end the war? Think again Angel!

Angel steps over to the elevator

VOICE
You haven’t seen anything yet!

Angel is still proud as the elevator doors close.

CUT TO.

INT – WILTONS MANSION

Connor takes another leap at Gunn, it’s evident they’ve been fighting for some time – Connor is worn down as Gunn takes one final blow.

Connor is flung across the room like a Frisbee as he folds down to the floor, unconscious and bloody.

GUNN
Who’s next?

Gunn scans the now empty room and sees that Lilah is still lying behind the chair – he strolls over to her and grabs her by the throat

GUNN
Show time

Or not. Gunn and Lilah both fade out of the scene.

VOICE OVER: They belong to us

CUT TO.

EXT – WILTONS MANSION

Angel skids up the driveway and leaps from the car, flinging himself through the door – the first person he sees is Harmony who he immediately heads over to until he spots Connor across the hall.

Angel dashes over to him and cradles his head in his hands.

ANGEL
Connor?

CORDELIA (O.S)
He’s alive Angel…

ANGEL
What happened?

CORDELIA
What do you think?

ANGEL
Gunn.

CORDELIA
He was just here – he disappeared…

ANGEL
He ran away

CORDELIA
I don’t think so

ANGEL
(thinks)
They called him back. They own him

CORDELIA
Own him like Ms. Wilton owns this place and is gonna kill us?

ANGEL
Where’s Spike?
(beat)
I need to get Connor to a bed, help Harmony

WILLOW (O.S)
Guys…where’d Lilah go?

CUT TO.

INT – DARK ROOM

Lilah rouses to complete darkness – she looks around her confused as the Wolf lays smiling by the dead Ram.

VOICE
Ms. Morgan – Sorry I didn’t book you an appointment.
(pause)
But this meeting is an urgent one

TO BE CONTINUED...

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