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Subject: Are we ready for the Big time?


Author:
mmJun- good article
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Date Posted: 13:58:39 02/03/06 Fri

Are we ready for the Big time? who supply
the heart & passion? Regine is One of them!!


Are we ready for the Big time?

First posted 04:22am (Mla time) Feb 04, 2006
By Pepe Diokno / Inquirer

ENTERTAINMENT is weird. There’s a big money-making, capitalist,
cutthroat, aspect to it. But behind it is a lot of heart and
passion. Without this heart and passion it won’t survive.

The people who supply the heart and passion are the artists. Though
it seems like the Peso is at the center of the business, without
artists, uh, duh -- death for everyone! (Echo!)

It’s a symbiotic relationship we can’t deny -- yes, artists can’t
eat without moolah. Producers can’t produce without artists.

But the line between art-making and money-making is pretty thin
these days. Pop artists are here to sell stuff, not sing stuff. Few
of our “creative people” are here to innovate -- most of them are
here to ride fads.

This is why we still make the same movies over and over again. This
is why a lot of bands all sound alike.

(Starving) artists

But this past year, we’ve seen a lot of people try to break this
cycle. We’ve seen lots of works that break convention; people who
innovate and have found their own formula -- you’ve probably seen
many of them on the pages of this paper.

It’s interesting how much talent oozes out of small society. But
it’s also sad to know how little awareness there is of this talent.

There are many ways to see this:

You can say there’s a lack of support from mainstream media -- or
mainstream producers. Both of these are true. (Few movies
like “Maximo Oliveros” get the support of Star Cinema -- and are
released widely, have TV ads... and a music video by Jamie Rivera.
Shudder.)

Government support is small too. But then we shouldn’t really expect
much from like, um, the government. Cough.

There is an unbelievable mass of competition from foreign products.
There are maybe, 10 Hollywood movies for every one Filipino movie.
Advertising budgets are one thousand times bigger. So distribution
companies are forced to market these movies more than local movies --
doesn’t it make you want to cry like a little girl? (Or not)

We compete!

But we are so able to compete with foreign products. We ooze with
talent. If money were not an issue, and it came down to concepts,
Filipino movies would absolutely kick ass.

That is if we put our minds to it. And if we believed in ourselves.
Snaps for us.
Besides, Filipinos know what Filipinos like. We’re supposed to
understand our own market.

But why is it so hard for us to succeed in our own market?

Aside from the economic reasons above, it could be two other things:

1) Like the government, artists are so out of touch with the demands
of the masses.
2) The masa is... bad. (Elitist! Elitist!)

Out of rich

Do the masses really want to see a movie about Iya Villania pelting
boulders? Do they want to see a movie about a kidnapping gone awry?

Producers like generalizing audiences. Like, “Masa sila, they won’t
get that!” I’ve heard that a lot. It’s sad -- because they keep
spoonfeeding audiences crap -- they don’t let the audience grow.

People who do art -- and I think anyone in this country -- must
remember that their primary goal must be to help elevate our
society. Artists -- filmmakers, musicians, painters, um, moving
statues -- are here for a reason. Pure entertainment is a reason but
it doesn’t contribute to the long-term development of society.

I say they’re out of touch with society because they don’t give
society its needs. Entertainment is a need, yes. But a bigger need
is growth. A lot of our artists don’t give that.

Other artists -- or crowds of artists -- tend to give an air of un-
rich-ableness. Like, “If you don’t get it, f*** you. You don’t
deserve my movie.” And that’s OK. I mean, you please yourself when
you make movies.

But again, works of art are more than just j*rking off -- they’re
supposed to be more than self pleasure.

Artists need to be patient teachers -- we can’t expect people to
understand at the snap of a finger. And we can’t leave our audience
behind.

B*tching about the masses

On the other hand, there have been great movies, with great
intentions, that don’t do well at the box office.

We can talk about how selective, and narrow, and shallow our local
audience is. But I don’t think it’s that the Filipino audience is a
dumb one. Think of them as ... a hard-up one.

You have to think of every ticket as an investment -- of it being an
extension of their blood and tears. They are investing on something
that will entertain them. They wanna be sure with the P120 they’re
spending.

The masses see film as entertainment -- and that is the
responsibility of moviemakers. You have to connect with the
audience. Like, who else do you make movies for but the audience?

Filipinos connect to emotions -- and we will probably connect to
films intellectually if somebody tried.

Anyway -- there are a lot of things that keep fresh, young,
innovative artists from shining. But we should remember that making
a permanent dent in society is a slow process. It’s going to involve
a lot of hits and misses.

Lately a lot of our artists have gotten things right. The music
landscape is expanding -- there are new forms of different genres,
and fusions of them. There are movies like, “Maxi” and the f-ing
funny, “Big Time.” There are great concepts out there.

There are millions of ideas in this country we probably haven’t even
discovered.

Super! is sure that many beautiful movies, and great music will come
out this year. And we can’t guarantee that the masses are going to
line up for it.

But we can guarantee that little by little, people will start to
watch -- or start to listen. And the minority now, may become the
majority in the future.

Editor's Note: Published on page D3 of the February 4, 2006 issue of
the Philippine Daily Inquirer


regine_velasquez · asia's songbird!!!!

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