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Subject: Regine Pal Profile : Ryan Cayabyab


Author:
mmJun- I n s i d e M u s i c
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Date Posted: 08:58:33 05/14/05 Sat
In reply to: mmJun- I n s i d e M u s i c 's message, "Re: Regine Pal Profile : Sharon Cuneta" on 08:56:47 05/14/05 Sat

Ryan Cayabyab : Mr. C's Opus
by Jandy Catayong


One cannot help but be absorbed by the timeless music of this man. Like an appassionato (an impassioned sonata), the melodies he creates mirror the deepest sentiments and reverberate through our memories long after the singers that sung them have ebbed from the musical scene.

The Maestro, Ryan Cayabyab (or Mr. C as he is affectionately called) does more than just churn out note after note on his piano. In fact, he never fails to leave an indelible mark in our lives. Who wouldn't be moved by such classics as "Sometime, Somewhere" or "Iduyan Mo" rendered by the haunting voice of Basil Valdez? Or be inspired by "Kayganda ng ating musika" popularized by Hajji Alejandro? Or grab a grass skirt and break up into a silly hula dance to "The Coconut Nut" performed by the then-youthful group Smokey Mountain.

One need not be an OPM buff to be amazed by Mr. C's musical bravura. From opera musicales, movie themes, jingles for product commercials, to even liturgical symphonies and national or corporate commissions there seems no area in the local music scene that has escaped Mr. C's touch.

From C minor to C Major As if writing music was not enough, Mr. C's life is an opus by itself. Out of his beginnings as a three-year old boy learning his first music lessons from his mother, building up like a crescendo to his various career landmarks, Mr. C not only gained the adulation of his peers and contemporaries but also the recognition of the international music industry as well, making the name Ryan Cayabyab synonymous with great musical compositions.

However, life for this musical genius was not always served on a silver platter. His mother died when he was only six and his father struggled to support him and his three other siblings. Mr. C recounts that they used to eat fried unripe papayas dipped in sugar or bagoong (fish sauce) for viand. There were times he couldn't borrow money from his aunts to buy textbooks for school. His mother's dying wish was that none of the children would pursue music as a means of livelihood. Being a musician and a music teacher herself she knew how hard it was to live on a musician's meager earnings.

But for this virtuoso there was no escape from music. He tried to look for a job to support his family and pay his way through school. He took up Bachelor of Science in Business Administration at the University of the Philippines, trying to carry out his mother's wishes. Mr. C managed to land a job with then-Senator Doy Laurel (the former Vice-president) as an accompanist for the DBP (Development Bank of the Philippines) Chorale Ensemble. His talent was easily recognized by the senator and his wife, wondering why he was pursuing a different career path, so they offered him a scholarship. Presenting his father with the scholarship, his father could only sigh and say, "You're old enough to be responsible for your decisions." The rest is music history. "I realized that poverty could be a really good inspiration," Mr. C adds.

When the Maestro wields the baton The name Raymundo Cipriano Pujante Cayabyab may not even ring a bell, but the words Maestro (although he's quite reluctant to accept that moniker) immediately translates to the name Ryan Cayabyab. Whether he's accompanying a diva in a concierto, tickling the ivories and putting melodies from his head into paper, or teaching the next generation of Filipino musical geniuses there's an aura of power and influence in his presence. "Power is when you have authority and whatever you say carries weight. But you don't use it, you can't push your weight around, people just respect you." Mr. C says.

Indeed, when one possesses that respect and influence words become as veracious as one's reputation. Mr. Cayabyab has proven this when he was called to the stand during a court hearing as a person of authority in music. "I was wondering why they weren't refuting my statements," he says.

---- end of article ------ >


Posted in the Regine Velasquez fans forum
of the Music Inside Buzz web site.

http://insidebuzz.tripod.com


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