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Lymond's Chess Board S&S Pub S&S Bairns Bookshelf Shamrocks & Stones Website


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Maybe we can support each other in this, Lil. (NT) -- 
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Me too. Puir lassie. *sniff* (NT) --
Another question, we learn that Mary's attendance wasn't that unexpected (big surprise). Why did Lymond tempt her into coming to the party? I wondered if it was to try to reconnect her to the Scots-people, given she's lived in France so long, perhaps she's "forgotten" where her obligations lay? (as we learn with the wedding gift to the Dauphin). (NT) -- 
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Last edited by author: Sat April 25, 2009 07:44:31
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Q1. Just had this idea, I am very much reminded of this Camelot scene >>>>>>> --
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Sally, are all accounts of Eloise in GofK? I don't recall if the issue is raised in the other books (excluding, of course, CM). (NT) -- 
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Last edited by author: Mon April 20, 2009 23:15:40
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Another question. I'm sure I have heard of Celestin monks before, but I had a heck of a time trying to find info, or an image, on the web. Can't figure it out. Oh well, the keys are a nice image too. (NT) --
Whew, I thought I was losing my "google-touch"--heaven forbid! (NT) --
Meanwhile...back at Dieppe....
- We (and Lymond) learn that he has landed in the house of a draper’s widow (draper: dealer in cloth). And we meet Martine “who had once governed the high-bred squadron of the old King’s permanent mistresses” and long-time friend of Lymond’s. (btw, a draper was a dealer in cloth). Martine tells him Archie is on his way. Archie arrives and takes over the care of Lymond. When Lymond awakes, Martine is seated in his room, “wearing the pearls he had once given her.” Martine embraces and kisses Lymond....but Martine discerns that he has found a woman, “tell her, from me, not to make you wait any longer.”
- Martine informs Lymond that the woman whose house they are in likes to entertain Scotsmen. The last was a writer, and left some of his work. Also, Lord James and Master Erskine are there, waiting for Lymond, to which he replies “ Accursed be those fools of Scots, and the fools of Scots who follow them.” Together they decide the best cover story is that Lymond is there to purchase cloth. Lymond agrees to give Martine cloth for three dresses for her assistance.
- Martine departs and Lymond peruses the writing .... it is a draft of John Knox’s The First Blast of the Trumpet [In the summer of 1558, Knox published his best known pamphlet, The First Blast of the Trumpet Against the Monstrous Regiment of Women. In calling the "regiment" or rule of women "monstrous", he meant that it was "unnatural". The pamphlet has been called a classic of misogyny. Knox states that his purpose was to demonstrate "how abominable before God is the Empire or Rule of a wicked woman, yea, of a traiteresse and bastard". The women rulers that Knox had in mind were Mary Tudor, the queen of England, and Mary Stuart, the queen of Scotland. (Wikipedia)]
- Lymond greets Lord James and John Erskine. He continues the facade of shopping for cloth. Erskine questions him about the ride from Paris, Lymond says it was drunkenness from banquet that impaired him, not the ride. He assures them, in his way, that he’s not interested in the Culter title and intends to return to Russia.
- Lord James informs Lymond that Richard has joined the Calvanists. Erskine and James attempt to ferret out where Lymond’s loyalties lay in the coming clash of Catholics vs Protestants.
- Lymond and leave the draper’s house. After assuring himself that Lymond has recovered, Archie makes his own plans for the evening...and Lymond inserts another elephant reference.
Q1. Martine. Have we heard of her before (I don’t remember her, and can’t find her in the Companions)?
Q2. Lymond’s cursing of Lord James and Erskine. Is this because of their reformist alliance?
Q3. At the end of chapter 3, how did Lymond identify Lord James as being acquainted with Martine?
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Why can't I find her name in the Companions? Ugh, I'm frustrated. Sallie??? celtgirl???? (NT) --
Last edited by author: Sun April 19, 2009 08:07:31
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Another question/observation. Although I can't put my finger on the pattern, there does seem to be some significance to the use of Lymond's names, e.g., he is rarely called "Francis"--and when he is, it seems significant...in this chapter, Philippa (meeting with Adam) stumbles over saying the name Francis and Adam uses that name. When Lymond arrives at Dieppe, he gains entrance to the house where his mother is by introducing himself as "Francis Crawford" although the crowd outside knows and celebrates him as "Sevigny". Anyone got the key to this puzzle (or am I seeing something that doesn't exist)? It seems like "Francis" is used in more intimate settings. (NT) --
As to the line you quoted, all I can say is **sigh** (NT) --
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