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Subject: Archive: Lawrence Welk, May 17, 1992

TV bandleader
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Date Posted: Wednesday, May 17, 01:37:45pm

Lawrence Welk, the band leader whose folksy charm and bubbly brand of "Champagne music" shaped one of the longest-running shows in television history, died on Sunday evening at his home in Santa Monica, Calif. He was 89 years old.

Mr. Welk had been suffering from pneumonia in recent days, said Bernice McGeehan, a spokeswoman for the Welk Group.

With diligence, drive and a cheery "ah-one an' ah-two," the self-taught maestro became one of a handful of television entertainers who defined the viewing habits of a generation. He rose from an immigrant farm family in a German-speaking hamlet in North Dakota to become one of the nation's favorite showmen.

The buoyant Mr. Welk presided over "The Lawrence Welk Show" on ABC on Saturday evenings from 1955 to 1971, when the show was dropped because sponsors said its audience was too old, too rural and too sedate. Reinventing a Show
Undaunted, Mr. Welk signed up more than 250 independent television stations in the United States and Canada and kept the show on television for 11 more years. Repackaged as "Memories With Lawrence Welk," the show has been appearing on public television on Sunday afternoons since 1987.

Mr. Welk was a strict taskmaster, demanding from his performers hard work, thrift and self-discipline. He kept his musical family -- stalwarts like the Champagne Lady, Norma Zimmer, and the Lennon Sisters -- basically intact, at times even by arbitrating marital disputes. These are some of the professional precepts on which he insisted:
*"You have to play what the people understand."

*"Keep it simple so the audience can feel like they can do it too."

*"Champagne music puts the girl back in the boy's arms -- where she belongs." Behind Bob Hope and Disneyland
Over the decades, Mr. Welk became, after Bob Hope, the second-wealthiest performer in show business, and his band and production company became the second-biggest tourist draw of Los Angeles, right behind Disneyland.

Components of the multi-million-dollar Welk conglomerate include a large music library and ownership of the lucrative royalty rights to 20,000 songs. Among them are the entire body of Jerome Kern's work, which Mr. Welk bought for $3.2 million in 1970. The heart of the real estate empire was the Lawrence Welk Village, a 1,000-acre resort-and-retirement complex at Escondido, Calif., near San Diego.

The Welk dance band offered an easy mix of pop, swing, Dixieland, country, Latin, polkas and inspirational music. Detractors called it tinkly Mickey Mouse music dispensed to geriatric audiences. Fans adored the sentimental show as a constant in a changing world and as a reassuring time capsule of a simpler, happier time.
Appraising the Welk show at Madison Square Garden in 1979, John S. Wilson wrote in The New York Times that the formula combined "the stage shows at the Paramount and the Roxy and vaudeville shows at the Palace" and was a reprise of American popular music at midcentury. Sod to Squeezeburgers

Lawrence Welk was born on March 11, 1903, in a sod farmhouse in the prairie village of Strasburg, N.D., one of eight children of the former Christine Schwab and Ludwig Welk, immigrants from Alsace-Lorraine, a region of France that was once part of Germany. His father was a blacksmith turned farmer. The boy dropped out of the fourth grade to farm full time until he was 21.

At night, his father taught him to play an inexpensive accordion, and from the age of 13 he earned money playing at social gatherings. At 17, he played in local bands and formed a group, the three-piece Biggest Little Band in America, to help inaugurate radio station WNAX in Yankton, S.D.

At 24, he put together a six-piece band called the Hotsy-Totsy Boys. He also bought and operated a series of small businesses, one of which featured an accordion-shaped grill that served a product called squeezeburgers. These projects failed, but his fortunes improved as he led bigger bands in ballrooms and hotels in bigger towns and on radio, mostly in the Midwest.
He then moved to Los Angeles, where his show was first telecast. In 1955, when he was 52, his coast-to-coast television program began its long run.

Still, he never overcame his shyness and used prompters to make even brief announcements. He rejected cigarette and beer advertising, hired no comedians for fear of off-color jokes and deleted suggestive lyrics from the orchestra's material. His honors included playing at the 1957 inaugural ball of President Dwight D. Eisenhower. The Positive Side of Hardship

Mr. Welk credited his success in part to his childhood poverty, observing in 1970 that "there's something you learn by hardship, by a little fear" and "one of the real bad conditions we have today is that we don't allow children to work at an early age." He recounted his life and its lessons in several popular books written with Ms. McGeehan, including "Wunnerful, Wunnerful!" (1971) and "Ah-One, Ah-Two!" (1974).

Mr. Welk's birthplace became the subject of controversy in 1990 when Congress approved a $500,000 grant to build a German-Russian museum at the farm where he was born, with a section devoted to the band leader. The appropriation was criticized as pork barrel spending, and it was later rescinded. Mr. Welk's birthplace was refurbished under private sponsorship.

He is survived by his wife, the former Fern Renner, who was a nurse; a son, Lawrence Jr., known as Larry, a business adviser to his father; two daughters, Shirley Fredricks and Donna Mack; 10 grandchildren, and a great-granddaughter.

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Lawrence Welk introduces the Chantays, who perform "Pipeline"LinkWednesday, May 17, 01:40:27pm

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