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Subject: Re: an article from philippine star


Author:
tris
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Date Posted: 02:50:35 12/10/03 Wed
Author Host/IP: NoHost/212.138.47.27
In reply to: agetro 's message, "Re: an article from inquirer" on 23:40:08 12/09/03 Tue

yup.. sa philippine star.. ang dami kasing good reviews about regine. sori

>Sa Philippine Star ito di ba? Hindi sa Inquirer
>
>
>>
>>By Boy Abunda
>>
>>If there is one Filipino artist who is up to task of
>>mounting one whole concert as a tribute to the
>>timeless diva Barbra Streisand, it is Asia’s Songbird
>>Regine Velasquez.
>>
>>At this stage in her almost two-decade career, Regine
>>is more than ripe to tackle all those "challenging"
>>Streisand classics – both vocally, emotionally and
>>intellectually.
>>
>>Technically, she has mastered the fine art of
>>"belting" – scaling harrowing heights and plumbing
>>just as daunting depths, with effortless élan. To
>>watch her perform is to see an artist in full bloom –
>>one who is in full control of her vocal instrument.
>>Emotionally, she has also grown to become a more
>>seasoned chanteuse. To hear her sing is to listen to
>>an entertainer who has weathered the storms of life
>>with grit and grace.
>>
>>Regine first mounted a Streisand tribute concert
>>sometime in the mid-’90s at the Captain’s Bar of the
>>Mandarin Oriental. Despite the post five-star
>>environs, it was still a more modest affair compared
>>to this year’s edition.
>>
>>The first show ran for only four nights while the
>>repeat is having 12 shows which runs until December.
>>
>>Also, not only was the venue smaller in the original
>>show, she was only accompanied by a lone pianist. Of
>>course, the fact that it was maestro Ryan Cayabyab
>>behind the grand piano somehow made the whole
>>proceeding grander than usual.
>>
>>So when Regine thought of re-staging Songbird Sings
>>Streisand, she not only chose a bigger venue (the
>>1,000-strong Onstage in Greenbelt 1 Makati), she also
>>signed up one whole band of session musicians to back
>>her up, led by musical director Raul Mitra.
>>
>>Needless to say, La Barbra is one of Regine’s all-time
>>musical idols. "I’ve been singing her songs since I
>>was 12 years old," she quips. "She’s got very
>>beautiful songs, but they are not easy to sing.
>>They’re very difficult. The melodies are very
>>complicated."
>>
>>That is precisely one thing she admires about Ms.
>>Streisand. "She really knows how to choose beautiful
>>songs."
>>
>>And these "beautiful songs" were showcased to
>>perfection by Regine in Songbird Sings Streisand.
>>
>>It was a pleasant surprise that Regine not only chose
>>the popular (and expected) signature hits like
>>Somewhere and The Way We Were, but she also included
>>the more obscure selections (that are still just as
>>familiar to true-blue Barbra fans like me) such as
>>Kiss Me In The Rain, My Heart Belongs To Me, Places
>>That Belong To You and Lost Inside of You.
>>
>>Making the show seamless was the fact that Regine
>>divided the songs/medleys into the more significant
>>highlights of La Barbra’s career: the Bee Gees/disco
>>era (Guilty/Woman In Love), The Broadway Album/Back to
>>Broadway medley, the A Star Is Born soundtrack, among
>>others.
>>
>>The last medley included the immortal With One More
>>Look At You. The last time Regine sang this song at
>>the Mandarin, she had just emerged from a major
>>heartbreak. As such, her interpretation then was full
>>of angst and drama. This time around, however, she
>>sang the song with emotion tempered with maturity and
>>wisdom.
>>
>>That is one trait of La Barbra’s she tries to emulate,
>>Regine admits. "She is a very intelligent singer,"
>>Regine professes. "She doesn’t just sing a song; she
>>tells a story. She’s a storyteller. As a singer, I try
>>to do that, too."
>>
>>Indeed, Regine and her producers in Maxi-Media
>>International pulled out all the stops for the new
>>Streisand show. Frequent collaborator Rajo Laurel was
>>also tapped to design two gorgeous gowns that, in
>>Regine’s own words, were "very Regine": a body-hugging
>>black bustier with a long train and a see-through
>>beaded white gown with a long train.
>>
>>She played the role of torch song diva to the max. As
>>usual, this concert is not just a musical
>>extravaganza; it’s also an audio-visual feast. A
>>celebration, in more ways than one. Case in point: The
>>lighting in the opening number (As If We Never Said
>>Goodbye) was truly cinematic. It was as if Regine just
>>stepped out of the big silver screen, like the Norma
>>Desmond character in Sunset Boulevard – glamorized and
>>glittery.
>>
>>Make no mistake about it, however. She may be dolled
>>up and dressed to the nines, but she is still the same
>>small-town Chona at heart. She cracks jokes with the
>>audience, makes fun of the "willful" ("May sariling
>>utak") train of her gown and personally greets a
>>wheelchair-bound grandmother in the audience. In spite
>>of the formal gowns, Regine manages to relax things a
>>bit and have fun with the crowd, which is no mean
>>feat, considering just how difficult Streisand’s
>>repertoire is.
>>
>>The amazing thing is, Regine doesn’t try to imitate La
>>Barbra. She remains true to these classics but somehow
>>sings them in her own trademark Songbird style. "We
>>retained some of the original arrangements," Regine
>>explains. "But we also came up with new arrangements
>>for other songs like Enough is Enough (No More Tears),
>>which we turned into a Latin number."
>>
>>Particularly heartfelt was her rendition of Songbird,
>>her favorite Streisand song of all time – for "obvious
>>reasons." "For a while, it sounded like the story of
>>my life," she affirms. "Like what the lyrics say,
>>‘With every song I sing, I touch you. I make you
>>stronger. But you don’t really know the real me.’ I
>>can really relate to that song."
>>
>>True to form, the piece de resistance was Piece of
>>Sky, which according to Regine herself is the hardest
>>Streisand song she has ever attempted to sing. "It’s
>>as if Barbra didn’t want others to sing that song,"
>>Regine gasps, half-jesting, half-earnest.
>>
>>She capped the evening with two encore numbers: People
>>and On A Clear Day.
>>
>>Those two songs couldn’t be more appropriate. By the
>>end of the night, after the last note had been belted
>>out, after the last bow had been made in the theater,
>>it was crystal clear to all people at Onstage… That
>>the Songbird was born to sing Streisand.

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