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Subject: Re: a bird in the hand, at least three in the bush?


Author:
Wes
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Date Posted: 22:33:26 11/18/14 Tue
In reply to: Mocha1120 's message, "Re: a bird in the hand, at least three in the bush?" on 21:47:54 11/18/14 Tue

>
>Based on the information in "Stray Kitten" Cody Archer
>picks up Principal Payne for DUI in either late August
>or early September of the year in which "Bird in the
>Hand" is set. After that Payne and should be gone and
>the football coach should be right behind him for
>failing to control his team.

We've hit one of those points where there are several separate story lines going on at the same time in different books. Sorry about that, but it will all come clear in time.

-- Wes

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Replies:
[> [> [> [> Subject: Re: a bird in the hand, at least three in the bush?


Author:
Leo Kerr
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Date Posted: 21:11:29 11/20/14 Thu


>
>We've hit one of those points where there are several
>separate story lines going on at the same time in
>different books. Sorry about that, but it will all
>come clear in time.
>
>-- Wes

You know, I don't know how you keep it all straight, particularly since often times your stories don't just cross paths, so to speak, but integrate story-lines to greater or lesser extents.

Do you have multiple stories plotted out in advance, or when you start a second story that overlaps, do you just make sure you can integrate it? Sometimes, from the outside, it seems like you've at least detail-outlined several different stories all in advance so that you can have the same scenes being presented from three or four different perspectives, with different lead-ups (depending on the viewpoint,) and such.

Leo
[> [> [> [> [> Subject: Re: a bird in the hand, at least three in the bush?


Author:
Wes
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Date Posted: 21:27:22 11/20/14 Thu

>Do you have multiple stories plotted out in advance,
>or when you start a second story that overlaps, do you
>just make sure you can integrate it? Sometimes, from
>the outside, it seems like you've at least
>detail-outlined several different stories all in
>advance so that you can have the same scenes being
>presented from three or four different perspectives,
>with different lead-ups (depending on the viewpoint,)
>and such.

Usually the stories come up one at a time, but I refer to ones already written when a crossover comes. Since I work so far ahead of publication, it's sometimes no trick to go back and massage an earlier version when needed to make the fit better. Sometimes it takes a bit of massaging. In my mind Bird in the Hand was set in 2007 when it was first written, but I decided it fit better in 2010 when considering other stories, including some upcoming.

Sometimes I do plan, at least a little. In the case of Bird in the Hand, by the time I was done writing it I visualized three books. Three became six, and the envisioned third one never worked out, although a few scenes made it into the other ones.

Sometimes a scene just has to be told again. Think about Jennlynn landing the airliner in Magic Carpet. Finding out about it turned out to be pivotal in Growing Together -- and then again in Picking Up the Pieces. It will be mentioned again, although not detailed, in a future book. A deal like that is going to affect different people in different ways, so it's fun to explore them.

I can't exactly tell you how I make it work, other than I usually manage to do it somehow.

-- Wes


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