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Date Posted: 14:33:15 11/04/08 Tue
Author: A.K From Timeout Magazine
Subject: Paul Weller in Dubai ....not a review.

Paul Weller in Dubai
Changing man

Time Out couldn’t stop smiling when Paul Weller’s headline slot at this month’s Desert Rhythm Festival was announced. Then he agreed to be interviewed. Read on to discover why he’s the star of our winter preview.Before I begin, let’s start with a confession. Many years ago – 1983 to be precise – in a small UK town, I went to school every day with a badge stuck to my school jumper that said, ‘The Jam’. Looking back, it was an excellent choice for an eight-year-old to make. Their singer, Paul Weller, was the king of cool; a mod revivalist who looked great and sounded even better. Then there was the music – songs that captured the mood of a troubled nation; melodies you could fall in love to; choruses you’d hum on the school bus. There were many reasons to fall under Weller’s spell, and I did, big time. Even when he split the band at the height of their powers, reinvented himself with the Style Council and reneged – on the surface at least – with everything to which he’d previously adhered. Fast forward to the mid-’90s and the Modfather, as he was now known, was still with us – this time as the spiritual figurehead of the Britpop movement, crafting solo albums that counterbalanced his trademark fire-in-the-belly zeal with a new-found maturity. And now here we are in the present. Weller is still a star, I am still a fan (his new number-one album, 22 Dreams, has been on my iPod all week) and, judging by the energy crackling down a phone line from a rehearsal room outside London, that fire shows no signs of dimming.
Article continues...

'Well you’ve got pop stars and you’ve got f***in’ artists, man; and it depends what you want out of it all,’ says the man himself matter-of-factly, but not without a hint of pride. I’ve heard he can be a prickly interviewee, but today he’s on good form. Guarded, perhaps, when the conversation strays towards his private life, but happy to talk about anything else. ‘I’m after fulfilment, y’know?’ he continues. ‘Even after all these years I’m a firm believer that you’re only as good as your last record; you’ve got to always look forwards.’ So how, when so many of his peers have faded into obscurity or resorted to nostalgia tours, does he keep those creative juices flowing? Sheer bloody enthusiasm? ‘I think so man,’ he says in his trademark London accent, before chuckling throatily. ‘I mean, I can’t just say it’s ’cos I’m exceptionally talented can I?’ He could, and lots of people would agree with him, but longevity requires far more than raw talent. ‘I think it depends if you’re still a fan of the music,’ he says reflectively. ‘A lot of people in this business get cynical, but I’ve never been like that; I’m never, ever cynical about making music or the whole communion of playing it to people when it’s really happening – that’s a really fine thing that you can’t be cynical about.’ For Weller, then, this truly is a life-long love affair. ‘When I was nine or 10 I used to watch bands on TV and think: that’s f***ing amazing! I always wanted to do it; I just think it’s incredible how music encapsulates people’s feelings in such a short space of time.’ And if anyone knows about songs that capture not just the individual’s heart, but the zeitgeist, it should be Paul Weller. The canon of songs he amassed since his days with The Jam are the sort of anthems that take on a life of their own. The privilege of being the author of those songs is not lost on Weller. ‘It’s amazing really. When I play ‘Town Called Malice’ or ‘That’s Entertainment’ it’s like they’re not my songs any more; they’ve become public domain.’ Not that you’ll hear too many retrospective moments at a Paul Weller show. Until recently, he refused to indulge in any form of nostalgia, preferring to concentrate on the newer music. This stance has softened in recent years – these days you’ll likely hear a couple of the older songs – but, true to form, the concentration remains on the here and now. Which means touring the world to promote a new record. Sprawling double album 22 Dreams is easily the best thing Weller has done in years; a rich tapestry of sounds, textures and emotions combining the disparate elements of his career into a new, fresh sound. It was, he says, ‘a joy’ to make. ‘I couldn’t wait to get in the studio every single day,’ he enthuses. ‘We were doing something different all the time and it was so much fun. A lot of it was new for me, which was quite a feat after all these years.’ Judging by the overwhelming response to the release of 22 Dreams – his first UK number one in years – Weller is entering his fifth decade on the verge of a whole new chapter. But whether it marks the next deliberate stage of his career is something he’s less sure of. ‘I just see it as one man’s journey through life, really’ he muses. ‘With every record you learn something new. Musically, spiritually, as a person… in every way; everything has been leading to this moment. It’s just growing up and moving on.’ I wholeheartedly agree with these closing sentiments – that life is all about today and tomorrow – failing only to mention that somewhere in a drawer back home, saved for posterity, is a badge with the name on it of my all-time favourite band. Ever changing moodsIn case you hadn’t already noticed, Weller is a very stylish man. Most of the time.1970s:The Jam era – razor sharp songs, suits and haircuts.1980s:Style Council – experimental sounds and fringes.1990: The Britpop Modfather – possibly having a midlife crisis. 2000s: Age shall not weary those possessed of the Mod spirit.We Got RhythmDesert Rhythm Festival co-stars include carnival funsters Kassav’, reggae veterans The Wailers and rock-pop band ViX ‘n’ The Kix.And, we have two tickets to give away. Simply answer the following: What is the main theme of Desert Rhythm this year? a) Thanksgiving, with how-to-carve-your-turkey workshops b) Halloween, with costume competitions c) St Patrick’s Day. Enter at www.timeoutdubai.com/competitions before October 23.
By Jeremy Lawrence, Wednesday October 08 2008

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