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Date Posted: 03:02:06 11/12/01 Mon
Author: :)
Subject: Re: 獨坐夜車經上水公路有感
In reply to: 社長 's message, "Re: 獨坐夜車經上水公路有感" on 08:35:12 11/11/01 Sun

>溫庭筠「照花前後鏡」和牡丹亭中的「偷中半面」都是說鏡中?>尬v,
>當然鏡影與日影不同.
>寬用(甚至對你來說是誤用)典故常見於駢文和明清戲曲,隨便一
>篇一齣也有一大堆不累
>
>拖曳、搖頭、太息確是具體的動作,卻不能指向背段具體的情感
>是何範圍,當然是個人見解,接受美學在下也有讀過^^

一,溫庭筠「照花前後鏡,花面交相映」沒有說是否「鏡中之影」;
二,您用「顧照自憐」固然可正用和反用,但這個典故的「憐」字,在潘岳身上是用「愛惜」之義,即引申義,跟許慎《說文解字》云:「憐,哀也」中的本義是不同的。運用成語和典故只可是嚴用的正用或反用;
三,搖頭、太息等詞均形象地表現詩人的反應和情感;至於情感屬甚麼範圍,則屬另一個範疇,在此我們應嚴格地將兩者分開;情感屬甚麼範圍?很簡單,詩題和內容已說明了:獨自歸家,因見自己倦容而歎息悲悵。
跟您詩論真是有趣,謝謝您跟我討論。

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