| Subject: Episode 2.17: Rise & Fall |
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sLaP
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Date Posted: 23:06:03 06/22/03 Sun
Author Host/IP: cache2-glfd.server.ntli.net/62.252.0.5
Previously on ‘Dawn Of Faith’
Connor kisses Dawn –
Faith is told of the club opening -
Andrew and Garrison break up – Rat Race
Andrew opens a bar – Bar Wars
The portal opens in the bar –
Andrew is offered a new position at Pipers –
Thalia is shot – The Academy
Faith takes a necklace from one of the demons – The Academy
INT – FAITHS APARTMENT
THALIA REMAINS BLOODY ON THE FLOOR, GRIPPING HER WOUND WITH THE OUNCE OF ENERGY SHE HAS REMAINING.
BY HER SIDE, CASEY APPEARS, GRINNING
CASEY
Hi! Are you okay?
THALIA IS UNABLE TO ANSWER, SHE CAN BARELY KEEP HER EYES OPEN AS CASEY PLACES HER HAND BY THE WOUND
CASEY
Does this hurt?
SHE GENTLY TOUCHES IT AS IF SHE’S GOING TO CARE FOR HER
CASEY
How about this?
THALIA RELEASES A RAW SCREAM AS CASEY STABS HER FINGER INTO THE WOUND AND TWISTS IT
CASEY
Oops…I slipped
SHE GIGGLES BEFORE VANISHING, THALIA REMAINS ON SPOT, ALMOST OUT AS HER EYES FLOOD TEARS OF PAIN. CONNOR SWINGS INTO THE APARTMENT AFTER A BUSY NIGHT OF INFORMATION GATHERING WITH RYAN.
THE SECOND HE LAYS EYES ON HER HE DROPS TO HER SIDE AND LIFTS HER HEAD ONTO HIS LAP
CONNOR
What happened? Can you hear me?
SHE CAN’T ANSWER, BUT MANAGES EYE CONTACT – SHE CAN SEE THE FEAR THAT IS FLOODING THROUGH HIM
CONNOR
No…not you, not again!
HE PLACES HER DOWN CAREFULLY BEFORE GRABBING THE PHONE AND RUSHING INTO THE BATHROOM TO GRAB ANY FORM OF MEDICAL KIT THEY MAY HAVE
CONNOR IS IN SUCH A BLIND STATE OF PANIC HE FAILS TO NOTICE CASEY SAT BEHIND HIM, SWINGING HER LEGS MERRILY.
CUT TO.
INT – PIPERS BAR – BOSTON
ANDREW IS CLEARING UP AFTER A BUSY FIRST HALF (8 –11) BEFORE THE BAR RE-OPENS AT MIDNIGHT. STACEY HAS FINALLY RETURNED FROM HER EXTENDED BREAK.
STACEY
Can I leave?
ANDREW
Try no!
STACEY
Come on, I’ve been working flat out for…ages
GARRISON
Twenty minutes
STACEY
See
(to Andrew)
He sees my point
GARRISON
Actually I was raising his point – you’re a slacker
STACEY STABS A LOOK AT GARRISON BEFORE PULLING PUPPY DOG EYES AT ANDREW
ANDREW
There’s CCTV outback so I can see if you’re gone.
STACEY
Right, back at 1…
BEFORE ANDREW CAN PROTEST SHE’S GONE
GARRISON
You’re a pushover
GARRISON LIFTS A CRATE AND HEADS TO THE CELLAR, CLOSELY FOLLOWED BY ANDREW..
AS THEY LEAVE {ZOOM CCTV CAMERA}
STACEY STAND ALONE, LIGHTING A CIGARETTE AS SEVERAL YOUNG CHILDREN APPROACHES HER. SHE SMILES, MAKING CONVERSATION UNTIL ONE OF THEM PULLS OUT A DAGGER.
BLOOD SPLATTERS ACROSS THE CAMERA.
~ROLL CREDITS~
Eliza Dushku and Michelle Trachtenberg
Also starring
Tom Lenk
Lisa Roxanne
Ryder Strong
Amber Benson
And Vincent Karthieser
Guest Starring:
Kevin West, Lindsey Sloane, Justin Berfield, Bruno Campos, Shawn Ashmore as Ryan
INT – HOSPITAL – NIGHT
CONNOR CRASHES THROUGH THE DOOR, THALIA HANGING LOOSELY IN HIS ARMS
A NURSE RUNS TO HIM FROM BEHIND THE RECEPTION
NURSE
What happened?
CONNOR
(breathless)
She’s been shot
NURSE
Where?
CONNOR
At our apartment
NURSE
No where on her…
THE NURSE LIFTS HER OFF TO SEE THE ENTIRE FRONT OF HER COVERED IN BLOOD
NURSE
You shouldn’t have moved her!
CONNOR
(not listening)
Is she going to be all right?
CUT TO.
INT – PIPERS – NIGHT
GARRISON IS STOOD IN THE BACKGROUND TALKING TO THE MANAGER AS ANDREW DIALS A NUMBER INTO THE PHONE.
(O.S) VOICE
Hey this is Stacey – can’t talk right now – leave a message.
ANDREW
Hey, um, Stacey this is your boss, Andrew, Andrew Wells from Pipers, um, I’m real sorry but it’s almost one thirty and you’re not here yet so, If I don’t here a valid reason from you within the next twenty minutes then – sorry but you’re fired.
(deep breath)
Okay, have a nice night – bye!
ANDREWS WALKS BACK OVER TO GARRISON AND THE MANAGER
GARRISON
Paul was just saying how you’re the only member of his staff not to quit of threaten to quit on the first night.
PAUL
I’m amazed – we get a lot of customers in here and you’ve kept alive for a whole week now – that’s something to be proud of.
ANDREW
(blush)
Thank you!
(excited)
It’s nothing compared to fighting demons and…
GARRISON NUDGES HIM
ANDREW (CONT’D)
On the X-Box that things real bad for your eyes
PAUL LAUGHS BEFORE SLAPPING ANDREW ON THE BACK
PAUL
Listen, I gotta shoot off for a while – check home on the wife and kids
GARRISON
How many kids you got?
PAUL
Three now – wonderful most of the time
(baffled expression)
though lately – they’ve been fighting a lot
PAUL SHRUGS BEFORE GRABBING HIS KEYS FROM THE SIDE AND LEAVING THE BAR TO THE TWO OF THEM.
GARRISON
Man, this whole thing is insane
ANDREW
What?
GARRISON
Well, we’ve got the 4-1-1, or at least the 4-1 on Casey, a bit, very little bit – but we know nothing about these children
ANDREW
We’re sure they’re not connected?
GARRISON
Doesn’t make sense, the children – started pretty much after the whole Casey thing died down
ANDREW
Except that one time
GARRISON
Right, and the time before that
ANDREW
Seeing a connection?
GARRISON
(beaten down)
It doesn’t matter. Until the girls get back from England, we’re down to half the team
ANDREW STARTS TO WALK CLOSER TO GARRISON AND SLIPS ON A DRINK, SLIDING ACROSS THE FLOOR.
GARRISON CATCHES HIM IN HIS ARMS, THEY LOOK INTO EACHOTHERS EYES FOR A LONG PAUSES UNTIL GARRISON CLEARS HIS THROAT, ANDREW STANDS TO HIS FEET ABRUPTLY.
ANDREW
Well, I gotta take out the trash!
HE GRABS THE BAG AND STEPS OUT OF THE BACK DOOR
CUT TO.
EXT – ALLEYWAY AT BACK OF PIPERS – NIGHT
ANDREW THROWS THE BAG INTO THE SKIP, PAYING NO ATTENTION AS HE TRIES TO ADJUST THE TIME ON HIS WRISTWATCH.
CLOSE UP: SMASHED CELL ON FLOOR ‘1 MISSED CALL’
HE STEPS INSIDE AS THE RAIN BEGINS TO FALL DOWN, BLOOD IS DRIPPING FROM A CRACK AT THE BOTTOM OF THE SKIP.
CUT TO.
INT – PIPERS BAR
GARRISON IS GATHERING HIS THINGS
ANDREW
Where are you going?
GARRISON
Dude, I’m so sorry, My Mom’s just called – she’s gone into labour – I’ve gotta go sit with my kid sister – you okay here?
ANDREW
I’ll manage – Dennis will be here soon
(thinking)
I hope
GARRISON
You sure, cause I can send Ryan over
ANDREW
No it’s cool, the force is with me
GARRISON SMILES, SINCERELY BEFORE DASHING OUT OF THE DOOR – ANDREW CONTINUES TO CLEAN, FAILING TO NOTICE THE SMALL CHILD WHO’S PEAKING THROUGH AJAR DOOR.
CUT TO.
INT – FAITHS APARTMENT
BLOOD REMAINS STAINED ON THE FLOOR – THE WINDOW SMASHED.
A PURPLE CRACKLING APPEARS IN THE CENTRE OF THE ROOM AS FAITH, DAWN, DARREN, DANSON, MARIA AND TARA APPEAR IN THE CENTRE OF THE CENTRE OF THE ROOM
FAITH
What a waste of a return ticket
DAWN
Faith…
THEY STARE AROUND THE APARTMENT IN SHOCK. DAWNS EYES FIX ON A SHRED OF SHIRT WHICH HAS BEEN DRENCHED IN BLOOD – CLEARLY TORN AS A BANDAGE
DAWN
That’s Connor’s
TARA
Connor? He’s been…
FAITH RUNS HER FINGERS ACROSS THE CRACK IN THE WINDOW
FAITH
Shot
END OF PART ONE
INT – GARRISONS APARTMENT – NIGHT
GARRISON LIFTS HIS SLEEPING SISTER THROUGH THE DOOR
GARRISON
(to self)
Poor kid
HE TAKES HER INTO HIS ROOM AND LAYS HER ON THE BED BEFORE TAKING OUT A BLANKET FROM THE CLOSET AND SETTING IT UP ON THE LOUNGER.
AS GARRISON CLIMBS ONTO THE LOUNGER, IT CREEKS, WAKING HIS SISTER WHO STIRS IN CONFUSION AT HER WHERE ABOUTS
GARRISON POUNCES OVER TO THE SIDE OF THE BED AND STROKES HER HAIR BACK
GARRISON
Shh…it’s okay, Mommy’s gone to the hospital so you’re at my house alright?
MARY
Why is she at the hospital?
GARRISON
She’s going to get our Baby Brother or Sister
MARY
Why is our Brother of Sister at the hospital?
GARRISON
Well
(playfully)
He goes there to see all the sick people – makes them feel better, cheers them up
MARY
Can we go?
GARRISON
In the morning
HE SMILES AS SHE FALLS BACK INTO SLEEP.
LATER ON IN THE NIGHT, GARRISON WAKES TO CLUTTERING, HE SEES THAT MARY IS NO LONGER IN HIS BED.
GARRISON
Mary?
HE WALKS THROUGH TO HIS LIVING ROOM AND SEES HER SAT CROSS LEGGED ON THE FLOOR – HER BACK TO HIM
GARRISON
Hey it’s late, what are you doing?
MARY
Playing
GARRISON
With what?
MARY
My new toy
GARRISON STEPS TO THE FRONT OF HER AND TURNS AWAY SICK.
MARY IS SAT HOLDING A BLOOD STAINED DAGGER WHICH SHE HAS RAMMED DIRECTLY THROUGH THE CENTRE OF A LOOSE HUMAN HAND.
CUT TO.
INT – PIPERS – 3AM
THE PLACE IS PRACTICALLY EMPTY NOW THAT THE SECOND HALF OF THE NIGHT IS OVER.
ANDREW IS CLEANING UP THE BAR WITH DENNIS
DENNIS
You seen Danny?
ANDREW
He went for a smoke – dirty
DENNIS
How can you work in a bar if you hate smoke
ANDREW
(confused)
I don’t breathe it in duh!
DENNIS – CLEARLY THINKS ANDREW IS A SANDWICH SHORT OF A PICNIC. HE CONTINUES TO CLEAN
DENNIS
He’s in the alley?
ANDREW
Probably – unless he’s pulled a Stacey
DENNIS
She left early again?
ANDREW
Ya ha! It’s really rude – I mean, she’s not even ill!
DENNIS
Maybe she’s got a second job
ANDREW
Like a cleaner?
DENNIS
(sarcastic)
Yeah, cleaners always work late at night
(beat)
I’m going for a smoke
ANDREW
Are you intending on returning?
DENNIS
Maybe
(winks)
See you in a minute.
CUT TO.
INT – HOSPITAL CORRIDOR
DAWN IS SAT ANXIOUSLY AWAITING ANY NEWS, AS CONNOR COMES OVER FROM THE DOCTOR SHE RUSHES UP TO HIM
DAWN
Anything?
CONNOR SHAKES HIS HEAD SADLY AS HE SITS DOWN
DAWN
What is the point in doctors if they’re not going to do anything?
CONNOR
The way or the world
DAWN
How can you be so casual about this
CONNOR
Dawn – not now
DAWN IS READY TO PICK A FIGHT WITH ANYONE BRAVE ENOUGH TO CONFRONT A JET LAGGED, NINETEEN YEAR OLD WOMAN UNDER A LOT OF STRESS
DAWN
(calm)
Sorry
CONNOR SHRUGS IT OFF AND CONTINUES STARING AT THE FLOOR THROUGH THE GAPS IN HIS FINGERS.
DAWN
Connor? Are…are you crying?
CONNOR LOOKS UP, HIS FACE IS STAINED WITH TEARS
DAWN PLACES HER HAND ON HIS BACK AS IF PREPARING TO HUG HIM
DAWN
Connor?
CONNOR
Look at me! Pathetic
DAWN
No, Connor it’s not!
CONNOR
Me! I’m pathetic everyone around me keeps on dying! Darla, Angel, Cody…
DAWN
Connor it’s not you
CONNOR
What do you know?!
DAWN
If you hadn’t noticed – lost a few people myself
CONNOR
All but one of which have returned!
DAWN LOOKS DOWN TO THE GROUND READY TO DENY THE FACT UNTIL IT HITS HER – HER MOTHER IS THE ONLY PERSON WHO HAS DIED AND IS NOT NOW LIVING.
SHE HOLDS THE SIDE OF HIS FACE GENTLY TURNING HIM TOWARD HER, SLOWLY SHE MOVES INTO HIM, WITHIN MOMENTS THEY’RE LOCKED IN AN INTENSE KISS.
THE ENTIRE WORLD AROUND THEM, MELTED – THEY’RE ALONE – THEY’RE ONE.
CUT TO.
INT – FAITHS APT. – NIGHT
DANSON AND DARREN ARE SAT QUIETLY ON THE SOFA AS FAITH CLEARS UP THE LAST SHEERS OF GLASS.
FAITH
I don’t get this
DARREN
What?
FAITH
Thalia – the bullet whole – crazy children – all of it, man, Buffy done this annually.
DANSON
We’ve got more knowledge now
DANSONS THICK BRAZILIAN ACCENT MEANS THAT FAITH TAKES A FEW HEAD REPEATS TO COMPREHEND A LOT OF WHAT HE SAYS, DARREN ON THE OTHERHAND IS USED TO IT
DANSON (CONT’D)
As soon as Willow can return the luggage then we can begin to research what is going on – all of this children which you say is not connected to Casey?
FAITH
Um, yeah, you do that…
SHE CONTINUES TO CLEAR UP
FAITH
Darren, why are you here? No offence…
(thinks)
much
DARREN
Dawn recognises my mad skills – said I’d be good as long as I kept from getting in peoples way
FAITH LOOKS AT HIM AS IF TO IMPLY THAT HE IS ALREADY DOING SO
DARREN
I can cook?
FAITH SMILES AT THIS AND POINTS HIM TO THE KITCHEN
FAITH
Faith hungry, you food.
AS DARREN RELUCTANTLY HEADS TO THE KITCHEN, FAITH EYES DANSON AND POPS HERSELF DOWN NEXT TO HIM, VERY CLOSE.
AWKWARDLY HE EDGES TO THE OTHER SIDE OF THE CHAIR
FAITH
So
(pause)
are you gay?
DANSON
Excuse me?
FAITH
Well, you’re all single in a house full of women and you just backed away from me – gotta be something wrong with you
DARREN LAUGHS LOUDLY FROM THE KITCHEN
DARREN
Or with you
FAITH
Yo’ diper boy – more cook less talk
FAITH TURNS HER ATTENTION BACK TO DANSON WHO IS VERY ON EDGE
FAITH
Well?
DANSON
I like my women, how you say?
(thinks hard)
Classy?
FAITH GASPS IN OFFENCE AS DARREN HOLDS BACK LAUGHTER
FAITH
Whatever y’all, I’m heading out to blow off some steam – if Dawn calls, hit my pager.
CUT TO.
EXT – PARK – NIGHT
FAITH IS KICKING THE AIR, SOME FORM OF SELF MOTIVATING MARTIAL ART EVIDENTLY CREATED BY HERSELF.
ANGLE: LARGE PAIR OF FEET SLOWLY APPROACHING FAITH, A HAND LOWERS INTO SHOT WITH A ROCK.
CLOSE UP: FAITHS EYES WIDEN
BLACK OUT.
FADE IN:
INT – WAREHOUSE – 3.40AM
FAITH IS OUT COLD, TIED TO A CHAIR WITH ROPES, GAGGED WITH A CLOTH.
DEBBIE STEPS OUT FROM THE SHADOWS SMILING SMUGGLY
END OF PART TWO
INT – GARRISONS APT – 3.40 AM
GARRISON IS TRYING TO TALK TO A PRACTICALLY BRAIN DEAD MARY WHO IS SIMPLY ROCKING BACK AND FORTH LAUGHING.
GARRISON
Mary, Mary…
(grabbing her)
Mary!!!
MARY
Dead, dead, all of them dead
GARRISON COLLAPSES BACK ONTO HIS HANDS, SHUFFLING TOWARDS THE WALL AS MARY’S EYES DISSOLVE TO BLACK
MARY BEGINS TO HUM A TUNE TO HERSELF AS SHE STANDS TO HER FEET HOLDING THE DAGGER
GARRISON
(under breath)
Mary…
GARRISON QUIETLY FOLLOWS MARY AS SHE HEADS OUT OF THE DOOR REPEATEDLY HUMMING THE SAME TUNE OVER AND OVER AGAIN
CUT TO.
INT – WAREHOUSE – 3.45 AM
DEBBIE STANDS OVER FAITH AS SHE COMES ROUND. SHE IMMEDIATELY REMOVES FAITHS GAG AS SHE WISHES TO HEAR SCREAMS
FAITH
Debbie? Did you put on weight?
SMACK – RIGHT ACROSS FAITHS JAW, WHIPPING FAITHS HEAD BACK
FAITH
Nice to see you to – so they let you out?
DEBBIE
I don’t need anybody to let me do anything
FAITH
Dude, aside from your figure, what is your beef?
DEBBIE
Shut up!
DEBBIE SMACKS HER AGAIN, HARDER, WITH THE HANDLE OF A GUN
FAITH CATCHES ONTO THE GUN AND PUTS TWO AND TWO TOGETHER
FAITH
You try and get me with that thing earlier?
DEBBIE
Nah ah! But I see your little friend delivered the message well
FAITH PULLS HERSELF AGAINST THE CIRCULATION CUTTING ROPE, DESPERATE TO BREAK FREE
DEBBIE
Now, now, do you think that’d be wise Faithy? Little ol’ me here with my loaded gun – little old defenceless you with your smashed up skull
DEBBIE LAUGHS AS SHE PACES ANGRILY INFRONT OF FAITH
FAITH
What the hell am I supposed to have done to you?
DEBBIE
Nothing – I’m insane remember!
(pauses before outrage)
Of course you done wrong you dumb bitch! You stole my Daddy!
FAITH
Huh?
DEBBIE
Deborah Wilkins! You’re really that slow aren’t you?
(disbelief)
You stole all the love that my Father never gave me! Then you came over to my prison and stole my friends and my contacts…now I’m gonna steal your life missy!
CUT TO.
EXT – PIPERS BAR ALLEYWAY – 3.55 AM
ANDREW LIFTS THE SKIP TO PLACE IN A BAG OF RUBBISH
AS HE STEPS AWAY, HIS FOOT CRUSHES ON THE BROKEN CELL PHONE, AS HE BENDS TO LIFT IT HE FINDS THE BLOOD SPILLING AROUND HIS FEET.
HE GULPS NERVOUSLY AS HE LIFTS THE LID AND REMOVES THE BAGS OF RUBBISH TO REVEAL DENNIS AND STACEY – BOTH CUT UP TO PIECES.
HE HEADS TO RUN INSIDE ONLY TO COME FACE TO FACE WITH A DAGGER WEILDING MARY
ANDREW
Mary?
GARRISON RUSHES AROUND THE CORNER
GARRISON
Andrew get inside!! Now!
GARRISON LOOKS TO HIS SIDE IN PANIC AS SEVERAL CHILDREN ARE MARCHING DOWN HUMMING THE TUNE
GARRISON SPRINTS THROUGH THE CROWD AND SNATCHES MARY UP FROM THEM, PUSHING ANDREW THROUGH THE DOOR.
GARRISON
(out of breath)
Beginning to see a connection with the whole musical extravaganza
ANDREWS MANAGERS STEPS IN FROM THE FRONT ENTRANCE
PAUL
What’s going on in here? Why is there a child in my bar?
ANDREW
Sir, I can explain, there was some trouble outside and…
PAUL PUSHES PAST THEM AND OPENS THE BACK DOOR – NOTHING. NO BLOOD, CHILDREN – NOTHING
PAUL
There’s nothing here?
ANDREW AND GARRISON BOTH PUSH PAST HIM AND LOOK INSIDE THE SKIP – IT’S EMPTY
MARY
Garrison I’m sleepy
CUT TO.
INT – HOSPITAL – 4.30 AM
CONNOR IS STOOD WITH HIS ARMS AROUND DAWNS BACK, HER ARMS AROUND HIS WAIST – RYAN ENTERS FROM BEHIND THEM
RYAN
Hey, I came as soon as I heard – how is she?
THEY MOVE APART QUICKLY AND GUILTILY
RYAN
What’s wrong?
CONNOR
I’m gonna get a drink – you guys want?
BOTH SHAKE THIERS HEADS AS CONNOR LEAVES
RYAN
You okay?
DAWN
I’m fine – just worried is all
RYAN STANDS ALONE, CONFUSED, AS DAWN WALKS OVER TO THE DOCTOR.
CUT TO
INT – WAREHOUSE – 5.40 AM
FAITHS FACE IS NOW BRUISED AND SHE IS GAGGED YET AGAIN AS DEBBIE CONTINUES TO VERBALLY AND PHYSICALLY ABUSE HER TO A POINT OF TEARS.
FAITH (though – not spoken)
Dude, why are you taking this – five years ago this woman would be dead
CUT TO.
EXT – TARAS HOUSE – 6AM
DANSON AND DARREN ARE WONDERING AROUND THE STREETS OF BOSTON WITH AN ADDRESS BOOK LOOKING LOST
DARREN
This is it
DANSON
You’re sure
DARREN
No
DANSON
You not think it’s a bit early to knock on stranger’s doors
DARREN
She’s not a stranger – if I get the correct door
CUT TO
INT – TARAS BEDROOM – 6AM
SHE STEPS OUT OF BED PRACTICALLY SLEEP WALKING AS SHE HEADS DOWN TO ANSWER THE DOOR.
TARA
Darren? It’s …what’s happened?
CUT TO.
INT – TARAS LIVING ROOM 6.10 AM
THE THREE OF THEM, ALONG WITH MARIA, ARE SAT ON THE LIVING ROOM FLOOR AS TARA PERFORMS A LOCATOR SPELL
MARIA
She can handle herself you know?
DARREN
Yeah – but she went to blow off steam more than three hours ago, with that girl being shot in her apartment – I’m thinking that it wasn’t a random drive by
MARIA
You think it was for Faith? Why?
DARREN
Oh come on! The girls not exactly loved by anyone she’s had a brief encounter with for the past, well, twenty something years
MARIA
It’s not that bad
TARA
Oh, no it is, nobody liked her
MARIA
Except you guys?
TARA
Right, except – she’s in a warehouse on Parker Avenue
END OF PART THREE
INT – HOSPITAL – 6.10AM
DAWN IS ASLEEP ON RYANS LAP, HER LEGS RESTING OVER CONNORS, BOTH MEN ARE HARDLY AWAKE AS THE DOCTOR WALKS OVER
RYAN SUDDENLY ALERTS AND PRACTICALLY FLINGS DAWN OFF HIS LAP
RYAN
What is it?
DAWN
Is she…is she okay?
DOCTOR
She’s alive
DAWN AND RYAN BOTH SMILE WIDELY, THROWING THEIR ARMS AROUND EACHOTHER. CONNOR DOESN’T MOVE
CONNOR
But…
DOCTOR
(sadly)
She’s in a bad way. I’m afraid she’s fallen into a coma
DAWN
(barely able to speak)
W…how…I don’t understand
DOCTOR
I’m afraid Miss…
(checks board)
Bennett, have suffered sever blood loss and trauma to the chest and abdomen – it’s hard to tell but it may be a while before she comes round, if at all.
CUT TO.
INT – GARRISONS CAR
GARRISON AND ANDREW ARE SAT IN THE FRONT AS MARY SLEEPS IN THE BACK SEAT
ANDREW
Suns almost up
GARRISON
Tough night huh
ANDREW
Yup, wait till everyone hears about this
GARRISON
Seriously though – I don’t think I’ve ever been so scared, I mean the whole innocent kids killing and thus less innocent, that was bad enough but that’s my sister man
ANDREW
I know
GARRISON REACTS OFF OF ANDREWS SAD LOOK AND PLACES HIS HAND OVER HIS
GARRISON
You gonna be okay?
ANDREW NOTS VERY UNCONVINCINGLY
GARRISON
Hey, um, I guess – you want to stay over?
ANDREW
Hmm, oh no, I’ll … I’ll be fine, you look after Mary – it’s practically morning anyway.
GARRISON
You sure? I’d feel a lot better if you were there
CUT TO.
INT – WAREHOUSE – 7 AM
FAITH IS BARELY CONSCIOUS AS DEBBIE TAKES YET ANOTHER SWING FOR HER.
DEBBIE
It’s just like school you know? Only more freedom…
(smack)
It still hurts when the new girls gets the good life
FAITH IS READY TO GIVE UP THERE AND THEN AS TWO GUNSHOTS ARE HEARD AND DEBBIE FALLS TO THE GROUND, ALIVE, BUT VERY MUCH IN PAIN.
FAITH LOOKS UP TO SEE...
EDDIE
(pointing gun)
Back the hell away Ms. Wilkins!
END
Co-starring
Spice Williams as Debbie Wilkins
Jodelle Micah Ferland as Mary
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