| Subject: Dan Tribute ~ Sellersville, PA ~ 8/13/08 |
Author: mountainbird
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Date Posted: 08/14/08 1:44pm
I need to get into "review" mode since I woke this morning hungover from emotional overload and a very late night from getting lost in the bowels of PA. I never realized one missed exit in a blinding downpour could make it so difficult to cross the Delaware into NJ. If it wasn't for Mary's ability to read a map under a dome light, we'd still be out there.
The cast of characters for the show, who were so humbled to be sharing their memories of Dan, were Tom Hampton, Tom Geddes, Michael Lille, Craig Bickhardt, Wendy Waldman, Cindy Bullens, Deborah Holand (the three who make up The Refugees), and Jim Photoglo. They worked separately and they worked together. They had all known Dan to some degree and those who are singer/songwriters treated us to one or two of their own pieces.
The first song up was Aspen, followed by These Days and The Way It Must Be. That combination was Tom Hampton, Michael Lille (who met Dan after he moved to Colorado from Va. Beach), and Tom Geddes (percussionist). They continued with Hearts and Crafts (a B-side original) and Forefathers.
Michael Lille soloed on a few songs, one of his own called Ships. Mary might want to jump in here since she remembers some of the lyrics. It was poignant in its tribute just by design. The rest of Michael's set was Old Tennessee (not Dan on the intro but not bad), Crow, and More Than Ever.
Craig Bickhardt did a few of his own and Leader of The Band, explaining that he and Dan had similar backgrounds growing up in musical families. Craig's father retired from a musical group that he had worked with for his entire adult life. Everyone but The Refugees joined him for Part of The Plan and then came Intermission.
The Refugees opened the second 'set' with Wendy's composition, Save the Best for Last, which was recorded by Vanessa Williams, and Morning Sky. Those three women are quite a combination of talents and it came as no surprise that Dan had invited Cindy Bullens to tour with him. She blew me away.
While all that was going on, there was a slideshow of Dan pics behind them on a screen. To the right, on its own draped riser, was a wooden chair with an acoustic guitar leaning against the seat and a framed pic of Dan up against a leg. It was as poignant and significant as a riderless horse or one plane missing in a formation.
The slide show ended and Jim Photoglo took the stage. He was alone and he was emotional. He explained how difficult it had been for him to choose a few Dan songs when there had been so many and how he didn't consider himself capable to do them justice. He spoke about Dan as a friend, not a boss ~ two "knuckleheads" on the road. He did The Reach and that's as far as Mary or I got with our notes. By this time I was sobbing and I forgot all about writing anything else. Mary may be able to fill in a blank or two there. The Refugees joined him onstage for one (maybe two) of his own and then the stage was full again for the finale.
Tom Hampton explained that they were going to do a song that wasn't in Dan's catalogue and, in unison, they sang, "Happy Birthday to you," (just that line), and then segued into "....Gambler." At the end, from somewhere inside, I heard "Let it shine, People, 'til next time. Thank you, God bless you, goodnight." Old habits die hard.
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