Steptoe and Son--3AW wikipediaDVD by 2entertain on 29 October 2007. -- jotter

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Date Posted: 18:53:10 10/11/08 Sat
Author: No name
Subject: Steptoe and Son--3AW wikipediaDVD by 2entertain on 29 October 2007.

Steptoe and Son
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Steptoe and Son

Harry H. Corbett and Wilfrid Brambell as the leading characters. © BBC
Format Sitcom
Created by Alan Simpson
Ray Galton
Starring Harry H. Corbett
Wilfrid Brambell
Country of origin United Kingdom
No. of series 8
No. of episodes 57 (List of episodes)
Production
Running time 30– 45 minutes
Broadcast
Original channel BBC1
Original airing 1962 - 1965
1970 - 1974
1977
1981
Chronology
Related shows The Curse of Steptoe

Steptoe and Son is a British sitcom written by Ray Galton and Alan Simpson about two rag and bone men living in Oil Drum Lane, a fictional street in Shepherd's Bush, London. Four series were broadcast on the BBC from 1962 to 1965, followed by a second run from 1970 to 1974. Its theme tune, "Old Ned", was composed by Ron Grainer. In a 2004 BBC poll to find Britain's Best Sitcom of all time, Steptoe and Son was voted 15th.[1]

Contents [hide]
1 Background
1.1 Characters
1.2 Situation
2 Actors
3 Humour
4 Episodes
5 Remakes
6 Steptoe and Son in Murder at Oil Drum Lane
7 The Curse of Steptoe
8 DVD releases
9 In popular culture
10 References
11 External links

[edit] Background
The show had its roots in a 1962 episode of Galton & Simpson's Comedy Playhouse. Galton and Simpson had split from Tony Hancock, for whom they had written Hancock's Half Hour, and had agreed to write a series of six comedy shows for the BBC. The fourth in the series, "The Offer", was born both out of writer's block and budgetary constraints. Earlier shows in the series had cost more than expected, and so Galton and Simpson decided to write a two-hander set in one room.

Although Galton and Simpson had initially expected a different pilot from the series to have been commissioned ("Clicquot Et Fils" starring Eric Sykes as a French undertaker), they were reportedly overwhelmed by the reaction to "The Offer", and later that year, the first of eight series was commissioned, the first four of which were made in black and white. Each series comprised five to eight half-hour episodes, and the last was transmitted in 1974. At the peak of the series' popularity, it commanded viewing figures of some 28 million per episode. In addition, the early 1970s saw two feature films, two 45-minute Christmas specials and a number of radio shows based on the TV scripts. In 2005, the play Steptoe and Son in Murder at Oil Drum Lane, written by Ray Galton and John Antrobus, brought the storyline to a close.

The series was one of the first UK situation comedy programmes to employ actors rather than comedians in the principal roles. Galton and Simpson had decided themselves that they wanted to try to write for performers who "didn't count their laughs".

The series' title music is "Old Ned" by Ron Grainer, played over a sequence of the men out with their horse, Hercules. "Steptoe and Son" is the Steptoes' trading name, but as established in the first episode, the "Son" is not Harold but Albert: the name dates from when he and his father — Mister Steptoe — worked the rounds.

[edit] Characters
The father, Albert Steptoe (portrayed by Wilfrid Brambell), is lazy, stubborn, narrow-minded, foul-mouthed, and has revolting personal habits. Albert is content with his place in the world, utterly unpretentious and downright cynical. He can be extremely vindictive and does everything he can to prevent Harold, his son, improving himself — especially if it means him leaving home.

Harold (played by Harry H. Corbett) is also obstinate, though prone to moments of enthusiasm about an idea. He wants to move up in the world — most of all to escape from the family home and his stifling relationship with his father.[2] Harold has aspirations. He likes to see his business as being in antiques rather than junk. He is a dreamer and idealist. Politically, Harold is a Labour supporter who is appalled at his father's reactionary views. He aims to improve his mind and his social circle but always fails, often thanks to Albert's deliberate put-downs or sabotage. Harold's exasperation and disgust at his father's behaviour often results in his repeating the catchphrase "You dirty old man."[3]

[edit] Situation
The episodes often revolve around (sometimes violent) disagreements between the two men, Harold's attempts to bed women and momentary interest over things found on his round. As with many of the best examples of British comedy, much of the humour derives from the pathos of the protagonists' situation, especially Harold's continually-thwarted (usually by the elder Steptoe) attempts to "better himself" and the unresolvable love/hate relationship that exists between the pair.

A common theme is that Albert almost always comes out on top. Despite his lack of effort Albert routinely and easily proves himself superior to his son whenever they come into competition, such as in their frequent game-playing, e.g., the Scrabble and badminton games from the 1972 series. Harold takes them desperately seriously and sees them as symbols of his desire to improve himself, but they come to nothing every time. His father's success is partly down to superior talent but aided by cynical gamesmanship and undermining of his son's confidence. In addition, Albert habitually has better judgement than his son, who blunders into all sorts of con-tricks and blind alleys as a result of his unrealistic, straw-clutching ideas. Occasionally the tables are turned, but overall the old man is the winner, albeit in a graceless fashion.

Harold is infuriated by these persistent frustrations and defeats, even going to the extent in "Divided We Stand" (1972) of partitioning the house in two so he doesn't have to share with his selfish, uncultured and negative father. Predictably, his plan ends in failure and ultimately he can see no way out. However, for all the bitterness there is an essential bond between the pair. Deep down, Albert seems to love his son and his behaviour is perhaps a selfish but misguided way of holding on to him so he doesn't have to face life alone. When the crunch comes, Harold sticks by his father. This protective bond is much in evidence in "The Seven Steptoerai" (1974) when they are menaced by a local gangster running a protection racket. Typically though, it is Albert who gets them ingeniously out of a very hazardous predicament.

[edit] Actors
A 2002 Channel 4 television documentary, When Steptoe Met Son, told the story of how Brambell and Corbett were like chalk and cheese — similar to their on-screen characters. Corbett felt he had a promising career as a serious actor, but was trapped by his role as Harold and forced to keep returning to the series after typecasting limited his choice of work. Brambell was in reality homosexual, something that in the 1960s was still frowned upon and partly illegal, and thus driven underground. The documentary went on to describe an ill-fated final tour of Australia, during which the already strained relationship between Corbett and Brambell finally broke down for good. It therefore revealed that there were in fact a great many parallels between the lives of the two actors and those of the characters that they portrayed.[4] However, both of the main actors used voices considerably different from their own. Wilfrid Brambell — despite being Irish — spoke with a prestige Received Pronunciation English accent. Wilfrid Brambell was aged only 49 when he accepted the role of Albert; he was only 13 years older than Corbett. For his portrayal, he acquired a second set of 'rotten' dentures to accentuate his character's poor attitude to hygiene.

[edit] Humour
During the time of its production in the 1960s and 1970s, Steptoe and Son marked itself out as radical compared to the great majority of sitcoms. This was an age when the predominant sources of laughter were farce, coincidence, slapstick and innuendo. However Steptoe and Son brought greater social realism. Its characters were not only working class but demonstrably poor. The earthy language and slang used were in marked contrast to the refined voices heard on most television of the time. Social issues and debates were routinely portrayed, woven into the humour. The programme did not abandon the more traditional sources of comedy but used them in small doses. The characters, and their intense and difficult relationship, highlighted deeper qualities of writing and performance than comedy fans were used to.

[edit] Episodes
Main article: List of Steptoe and Son episodes
Steptoe and Son is rare among 1960s BBC television programmes in that every episode survives for posterity, despite the mass wiping of BBC archive holdings between 1972 and 1978. However, all the instalments from the first 1970 series and all but two from the second that were originally made in colour have only survived in the form of black and white recordings made off-air by Galton and Simpson themselves, using a half-inch reel-to-reel video recorder — a forerunner of the video cassette recorder.

The BBC has released ten DVDs of the series to date — the first two being compilations of the "best" colour episodes, and the other eight containing the complete eight series, respectively. Two Christmas specials are also available on DVD, as are two feature films: Steptoe and Son, and Steptoe and Son Ride Again. A boxed set of Series 1–8 and the Christmas specials was released on Region 2 DVD by 2entertain on 29 October 2007.

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