text for analysis -- English Morphology Online Seminars

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Subject: text for analysis

Author:
Júnia

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Date Posted: 15:57:17 10/02/09 Fri
In reply to: Júnia 's message, "Re: Instructions for the Morphology Online Seminar" on 15:53:04 10/02/09 Fri

>Source: >href="http://www.nytimes.com/2009/10/02/arts/design/02g
>roup.html?_r=1&ref=arts">http://www.nytimes.com/2009/10
>/02/arts/design/02group.html?_r=1&ref=arts
>
>
>Activist Energy With a Light Touch
>
>Known to many New Yorkers primarily for art
>exhibitions, Asia Society is a grander entity than its
>Park Avenue galleries might suggest. According to its
>press materials, the institution’s overarching mission
>is to “promote understanding among the people, leaders
>and institutions of Asia and the United States” and to
>generate new ideas in “the fields of policy, business,
>education, arts and culture.”
>Are those fields listed in order of importance? If so,
>it might explain why the work in the society’s surveys
>of new art, like the current “Hanging Fire:
>Contemporary Art From Pakistan,” tends so often to be
>topical in content, market ready in format and
>didactic in delivery.
>
>One of the first of the society’s big one-country
>shows, “Inside Out: New Chinese Art” in 1998, sold
>itself on the notion that the most significant work
>emerging from China was all by brash, young,
>implicitly democracy-loving rebels in thrall to the
>Western media and eager to break with their own
>cultural past. This profile was meant to win Western
>hearts, and it did. That many artists still produced
>ink-and-brush landscapes and calligraphy and were
>subtly but radically updating these traditions was
>barely acknowledged.
>
>In 2005, “Edge of Desire: Recent Art in India” focused
>heavily on art that addressed current social issues
>like sectarian violence and the effects of a global
>market economy. Not represented was a range of new
>abstract or near-abstract art and sculpture from South
>Asia that doesn’t necessarily look “Indian” and that
>is personal, and only incidentally political, in
>content.
>
>This exhibition of new art from Pakistan, with its
>references to war, religion and consumerism, largely
>conforms to the Asia Society model, except for its
>size. The Chinese show had more than 60 artists, the
>Indian survey more than 40. Both were spread over two
>New York City spaces. “Hanging Fire” has 15 artists
>and takes up just two Asia Society galleries, one very
>modest in scale.
>
>So it doesn’t pretend to be a survey. It’s a closely
>edited group show drawn from a small pool of artists,
>most of whom attended the National College of Arts in
>Lahore. Given these restrictions, it’s surprising that
>the show has the variety it does.
>
>Lahore had been a cultural hub for centuries by the
>time Pakistan was separated from India in 1947, and it
>has remained so. After partition, the National College
>of Arts was forged from an existing colonial
>institution, and schools were also established in
>other cities.

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Replies:

Subject	Author	Date
Analysis	Cristiane	18:21:07 10/02/09 Fri