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Date Posted: 17:15:24 05/14/03 Wed
Author: craig
Subject: Re: IS distophia emo?
In reply to: Seb 's message, "Re: IS distophia emo?" on 22:25:32 05/13/03 Tue

Cheers I'll read that when I get time, I'm hoping an planning to come along this Friday. Distophia must be Emu cus I get visions of Rod Hull when you play.

yeh, pass the joint

Craig

>Maybe this [the below article] might give some answers
>Craig, but please bear in mind that I know as little
>about Emo as you do! Maybe some generous minded
>emo-kid could provide some real info?
>
>Seb
>
>--------
>
>Most people agree that the origin of "emo-core" music
>was the self-titled release by Washington, DC legends
>Rites of Spring (Dischord, 1985) featuring Guy
>Picciotto on vocals/guitar (who later started Fugazi
>with Ian MacKaye). During this time, MacKaye was
>playing in Embrace following his days with Minor
>Threat. Hardcore lore has it that during an Embrace
>show someone from the crowd shouted on-stage "You guys
>are emo-core!" to which MacKaye replied "You mean Emo
>Phillips?" MacKaye was referring to the monotone comic
>stylings of an American comedian of the same name.
>
>The moving and dynamic sounds created by Rites of
>Spring and Embrace were revolutionary considering the
>hardcore and punk sounds that prevailed in the mid
>Eighties. The music was not meant to deliver a social
>or political message, but rather an expression of
>emotion. Influences from both bands (loud/soft
>dynamics, complicated arrangements, diary-honest
>lyrics, breathy vocals) can be identified in what many
>people today refer to as "emo-core" music, hence the
>more popular term "post-hardcore."
>
>But as the years pass, influences become blurred and
>more removed from the "old school" emo pioneers. Who
>is and who is not "emo" is often the subject of heated
>debate. Today's "post-hardcore" is best described a
>resulting combination of several influential styles of
>music, including the raw hardcore emotion of Minor
>Threat, Rites of Spring, Embrace and Fugazi, the
>soft-to-loud dynamics of Slint, the technical nature
>of Jawbox and Thirty Ought Six and the energy, melody
>and dynamics of Sunny Day Real Estate and Jawbreaker.
>
>All of these bands played a role. Today, emo seems to
>be growing more into of a scene of DIY-minded kids
>that appreciate music that speaks to their base
>emotions, rather than any particular style. Writer Jim
>DeRogatis explains "I prefer to think of emo as punk
>rock that's more melodic, introspective and depressing
>than hardcore but still taps into that primal energy
>and anger."
>
>There seems to exist a common goal of communication
>and shared experience among band members and their
>audience. Bands involved in the scene throughout the
>world each have their own take on it as evidenced by
>Deep Elm's Emo Diaries compilation series - some more
>hardcore based, some more dynamic, some melodic, some
>more pop, some more math-rock and intellectual, some
>more screamo and others more rock-based.
>
>Whatever works to produce those inspiring feelings -
>that well of emotion that builds up inside you - is
>okay by my standards. It's the music that matters, not
>what you call it.
>
>[source: http://www.deepelm.com/qna.html#anchor18]

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