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Date Posted: 18:12:27 02/07/03 Fri
Author: Will M. Kizer
Subject: Finally back

(The camera comes into focus on a wooden door. It is an oak door with a gold name plate on the front of it. As the camera zooms in you can read the name plate. It says Dane Waltman. Soon you see the door open and a man that is about 5'11" with dark brown hair and brown eyes. He is wearing a black suit with a red tie and a pair of black dress shoes. He walks out into the hallway. The hallway is your typical hallway with white walls and grey carpet and lights every few feet along the ceiling and a set of blue plastic chairs sitting along the side of the hall opposite of Dane Waltman's door. As Mr. Waltman walks over to the set of four chairs you can see Will M. Kizer sitting on the first of the four chairs. Kizer is wearing a blue button down dress shirt and a pair of black dress slacks. Mr. Waltman gestures for Kizer to come with him. Kizer stands up from his chair and follows Mr. Waltman into his office. The camera follows Kizer into the office. Kizer takes a seat in one of the two black vinyl chairs with metal legs and arms. The camera remains in the corner by the door. In the middle of the room you can see a large cherry wood desk. On the desk there is an executive pen set and a some other office type equimpment. As Mr. Waltman sitts down in the leather executive chair behind the desk he pulls out a file folder and opens it up on the desk. He then begins to talk to Will M. Kizer.)

Waltman:Mr. Kizer, as you probably know by now I am your parole officer.

Kizer: Yeah, I know.

Waltman: Well, lets get to the point. First, you have read and understand the terms of your parole, correct?

Kizer: Yes, I have.

Waltman: Do you have any questions?

Kizer: Just one. It says that I may not be involved in any fighting, assult, or physical confrontations of any kind. Well, as you know I am a wrestler and for my job as a wrestler I have to have physical comfrontations.

Waltman: Well, you can't wrestle then.

Kizer: I have to! I can't afford to not wrestle. You americans just want me to not be able to work because I am german.

Waltman: No, anyone in your situation would have the same stipulations. But I will tell you what I can do. I can talk to my boss and see what he says and get back to you next week.

Kizer: I have a match next week. I have to know before then.

Waltman: Ok, I will find out this week. Now, on to the next thing. As part of your parole, you have to do 100 hours of comunity service.

Kizer: What is that?

Waltman: That means that you will do work for free that will help the community.

Kizer: Like what?

Waltman: Like picking up litter, painting park benches, and other stuff like that.

Kizer: I don't have time for that.

Waltman: Well, either you do that or you go back to jail for the remainder of you sentense.

Kizer: Well, ok. I guess I have no choice.

Waltman: You should be happy. You got out of jail early, I got it so that you can actually leave the state or the country and I am going to try and get it so that you can wrestle.

Kizer: Well, I ain't happy. And you had better get it so I can wrestle.

Waltman: Don't get mad at me or I can make it so you can go back to jail.

Kizer: You just think that you are all powerful. You think you are so great. When your really just a big puppy dog.

Waltman: What are you talking about?

Kizer: Ok, great Dane.

Waltman: Ok, make fun of my name and see what happens.

Kizer: Just remember great Dane, no matter how big of a dog you are there is always someone bigger. And now I have to get going because I have a flight to catch. But when you find out about wrestling call me at this number.

(Kizer then reaches down grabs one of the very expensive pens from the executive set and a piece of paper from a note pad on the desk and writes down a phone number. Kizer then proceeds to tear the piece of paper off and places it in front of Mr Waltman. Then Kizer turns and walks to the door. He opens the door and proceeds out the door and down the hallway. As Kizer walks around a corner and towards the main entrance to the building the camera slowly fades out to black.)

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