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Date Posted: 18:58:04 05/21/01 Mon
Author: Rich
Subject: Just listening to History now, Jim.

Scream: A lot better than I remembered, some anger there. Doesn't he sing "stop F***** with me" at one point? I bet he nicked that saying off Jordan, y'know...
Factoid: I remember seeing the video premiere for this one after I'd been in hospital to have an absess (sp?) removed from my gum. I'd had some of my jaw removed, and it was growing back and I'd ran out of pain killers. I was trying to watch this bugger in agony.
Rating: Possibly ****


They Don't Care About Us: Seriously, though, I do think what makes a good album is when the singer has something to say, which is a problem I had with Dangerous, which, by and large, didn't have anything to offer but a collection of pop songs. This may be harsh, but his alledged kiddie fiddling gave Michael a real edge in his music for me, as here where he resorts to incendary racial anger.
Factoid: Very maybe an extra star for this one, like it a lot.
Rating: ****



Okay, here's the review:


BRIDGET JONES'S DIARY (2001)

I was in the fucking cinema and so couldn't take down an appropriate quote. I managed to scribble one on my hand but then washed the bugger off by mistake. OKAY?!!?


Generally okay-ish romantic comedy that skirts with frightening regularity between likeable wit and soundtrack-flogging luvvie smugdum.

Despite Zellwegger's Texan origins (Her accent is pretty good, and, despite the bitching she did about it, she looks a lot sexier at ten stone) you can practically taste the phrase "darrrrrrrrling, you were wonderful" all the way through this one. All the prerequisite Richard Curtis (Four Weddings and an Unfunny, Notting Shite) elements are there: the wacky friend with the squeaky voice, the token homosexual (leave it, Grigg, it wasn't me, I like the women!) and the posh friend that says "fuck" a lot. I don't know who it was that decided posh people swearing was funny, but whoever it was they should stop it.

Chances are the laboured Brit comedy and signposting of gags will wear you down before the end, OTT plot contrivances and self-conscious dialogue stifling the charm of the piece. It's not bad, but the self-satisfied performances and embarrassing escapades make you want to leave the cinema rather than egg Bridget on for all her social faux pas.

Being in the company of such people for 100 minutes is acceptable, but would you really want to know any of them in real life? Not f****** likely, old bean!


Okay, couldn't think of much to say when I came to write it. So up yours!!! Won some tickets, y'see, saw The Mummy Returns as well. They were both shite really, but both get:



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