A great deal of the art of the time was religious in nature, even pastoral scenes had religious overtones. While people and their environs as a whole were dirty, dark, and ragged, visions of heaven and the saints were shining and beautiful in a necessarily unearthly fashion. I do think John wanted to be spiritual, it was just so hard for him since all of society during his time believed because of what he was, he was by his nature damned. I got a little misty when John looked down on the sleeping face of his new niece at her baptism in BOB and swore that "He did not know if he might believe. But for her, he would try." -- LJG Discussion board

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Date Posted: 07:27:50 02/23/08 Sat
Author: Jane
Subject: A great deal of the art of the time was religious in nature, even pastoral scenes had religious overtones. While people and their environs as a whole were dirty, dark, and ragged, visions of heaven and the saints were shining and beautiful in a necessarily unearthly fashion. I do think John wanted to be spiritual, it was just so hard for him since all of society during his time believed because of what he was, he was by his nature damned. I got a little misty when John looked down on the sleeping face of his new niece at her baptism in BOB and swore that "He did not know if he might believe. But for her, he would try."
In reply to: kgp 's message, "Saint's are necessarily romantically attractive. Most seem to have been rather tedious. He also describes Weber as looking like an arch angel and doesn't he also describe Neal TC in iconic terms? I think there's a growing awareness in John that his spiritual side is wanting. That's why he puzzles over Jamie's certainty in God's direct interest in accounting for a man's actions versus his own vague wedding and funeral religiosity. Or is it that classical paintings are the only images of the time to compare others too?" on 07:28:10 02/22/08 Fri

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