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Date Posted: 11:51:07 09/04/03 Thu
Author: 后窗看电影
Subject: 绿茶有点像法国片的意思

回应人: hht 发表日期: 2003-09-03 11:10:09
这电影细分析可能不奏效，让我联想到其他片子《有话好好说》和娄烨的两部。我觉得张元比他们都强啊。但是，全用对话撑起来挺难的，这有点象法国片了。杜可风的摄影是很棒的，摄影机应该言之有物，而不是画面优美，构图好看就完了。关于主题：这部电影确实在思考城市人的各种焦虑和信任的危机，尤其是其中性的成分。我关心的是，作者相信什么，他并不充分的信任男女关系，包括婚姻。姜文的女朋友后来跟了方立均，而电影并没有陷入庸俗的三角关系，观众可以发现，一切都是可疑的，姜文与方立均朋友的关系，前女友王海珍跟了方立均/吃饭时的举动也很可疑，最终赵微与姜文也是个莫棱两可的下文。张元也显露了对性的兴趣，包括对知识女性的下流幻想，不停的相亲不会是想搞什么吧，弹钢琴的女孩肯定是出来卖的。《一声叹息》里张国立是个编剧，从形象到气质都符合北方文化人的精神面貌，同样是体面的（其实背景是模糊的），《绿茶》里角色应该更雅皮，姜文在这里跟冯小刚塑造的葛优不一样，跟王朔小说里的方衍、杨重也不一样，况且在杜可风的摄影机里也不可能。姜文在两个赵薇之间的表现也耐人寻味，一边是贫嘴形象，一边是笨拙的老实人，这可能是普通都市男人的大众形象--平时积攒过多的欲望关键时刻一定阳痿。看完电影，我在想，女人是不是经常幻想自己的不同面貌，很神秘吗？这电影象是个游戏，无聊男女的性幻想。

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