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Date Posted: 16:08:53 12/02/00 Sat
Author: cherbourg
Subject: °g»î¦b§Æªv»Õ

³o¨Ç¥»¨Ó¦b¤@«Ê¹q¶l¤¤´£¹L¡A¦b¤@«Ê«H¤¤¤]»¡¹L¤@ÂIÂI
¦ý§Ú¹ê¦b¬O¤@­Ó«Ü·Ðªº¤H - ¨S¦³¥²­nÁôÂÃ
²{¦b´N§@¤@¨Ç¼W§R¡AÄ~Äò·Ð¤@¤UÄ@·NÅý§Ú·Ðªº¤H§a

³Ìªñ¤Q¤À³ßÅw§Æªv»Õ
¤@ª½¤]³ßÅw - ¤£¹L¤£ºâ¤Q¤À - ¤£³ßÅw§Æªv»Õªº¤H¡A¤]¤£¦n·N«ä»¡
¦Û¤w³ßÅw¹q¼v§a¡A¥¿¦p¼g§Æªv»Õ¼g±o«Ü¦nªº Robin Wood (Donald
Spoto ®t±o»·¤F¡A·íµM¼g±o¤ñ Robin Wood ²`ªº¤j¦³¤H¦b¡A¦ý¥L­Ì
¤£¬O´N¹q¼v¥»¨­¦Ó½×[¨Ã¤£½Í cinematic ]¡A¦Ó¬O±N¦U¦¡¦U¼Ëªº²z½×
¦p feminism, Lacan, psychoanalysis µ¥µ¥ apply ¦b§Æªv»Õªº¹q
¼v¤W¡A©Ò¥H¤£­pºâ¦b¤º)»¡¡G

I would say myself, and this would sound provocative, and even arrogant, but if you don't like Marnie, you don't really like Hitchcock. I would go further than that and say if you don't love Marnie, you don't really love cinema.

«Ü¤£©¯¦a¡AMarnie ¤Sªº½T¬O(¥Ø«e)§Ú³Ì³ßÅwªº§Æªv»Õ¹q¼v(¨p¤H²z
¥Ñ)¡A§Y¨Ï§Úı±o³o¤£ºâ¬O¥L³Ì¦nªº¤@³¡¡C¦Ó Robin Wood ªº
"further" statement¡A§Ú·Q§Ú·|¥Î Vertigo ¨ú¥N Marnie...­è°µ§¹
Vertigo ªº¥\\½Ò¡A¤@Ãä°µ¡A¤@Ãä·Q¤F«Ü¦h¡A¤]µo±¸¤F«Ü¦h¡I

§Æªv»Õ¤@ª½¥u³Qµø¬°¤@­Ó entertainter ¡AµL½×¬OÆ[²³¡B¼vµû¤H³£
wouldn't take him seriously¡C¨Sªk¤l¡A¥L©çªº¬OÄaºÃ¡BÅå·X¤ù
¡A§A·|»{¬°³oÃþ¼v¤ù¯àµn¤j¶®¤§°ó¶Ü¡Hª½¨ì§ù¾|ºÖ¡B¬d¥¬¬¥¤@¯Zªk
°ê·s®ö¼é¾Éºt¹ï§Æªv»Õ¤j¤O§j±·¡A©^¥L¬°¤@­Ó auteur ¹q¼v§@ªÌ¡A
§Æªv»Õ¤~³Q¤H­«·s¦ô¶q - «ü¦b¹q¼v¬ü¾Ç¡B»y¨¥¡B²`«×ªº½dÃ¥ - §Æ
ªv»Õ¦b²¼©Ð¤W¤@ª½¬O¦¨¥\\ªº¡A«D±`¦¨¥\\¡C

(§ÚÁÙ¨S¦³¬ÝºÉ¥Lªº§@«~¡A¥H¤U¬O´N§Ú©Ò¬Ý¹Lªº§@«~¡B»s§@¯S¿è¡B³X°Ý¡B½×¤å¦Ó¨¥)

§Æªv»Õªº°¶¤j¥¿¦b©ó¥L¹ï¹q¼v¤¸¯À¦U­Ó¤è­±ªº¡§½a¨äºÉ¡¨¡C¥Lªº¹q
¼v¯à°÷¦bºò±i¨ë¿E¡A¤Þ¤H¤JÐ`¡A¨Ã¥B¹ð¦³Åå³ß¤§¾l¡A¤S¦³µÛ¬yºZ¥X
¦âªº§Þ¥©¡A¨Ã¥B¦³µL½aµLºÉªº«ä·Q²`«×(¤×¨ä¬O«á´Áªº§@«~)¡A¤×¨ä
¬O¹ï¡§¤H¡¨ªº¤ß²z±´¯Á¡C¥@¤WÃÀ³N¤ùµ´¹ï¤£¤Ö¡A¦ý¯à¦b artistic
ªº¦P®É¤S entertaining ªº¡A¤S¦³½Ö¡H­n»¡¨º¤@­Ó¾Éºt¬O¤Ñ¤~...¤]
³\\´N¥u¦³¥L¡A»P¶O¨½¥§¤F(¶ø»¹«Âº¸´µºâ¥b­Ó§a)¡C¥Lªº¹q¼vµ´¹ï¬O
¿W¯Sªº¡A¥u¦³¥L¤~©ç±o¨Ó¡A¥L©Ò¶Ç¹Fªº°T®§¡A¬O¨º¼Ë½ÆÂø©M°g´b¤H
¤ß¡A¯àÅý¤HµL½aµLºÉ¦a¸ÑŪ¡A²ª½¬O¨C¤@­Ó SHOT ¡A³£Ä­§tµÛ¥¦¥»
¨­ªº·N¸q¡I½§²Lªº¤H¬Ý¤F¡A¥i¥H·í¬O¤@­Óºëªö¨ë¿Eªº¬G¨Æ¡A¸ûÁo©ú
ªº¤H¬Ý¤F¡A´N¥i¥H¸ÑŪ¥X¤@¼h¤S¤@¼hªº·N«ä¡A³o´N¬O¥L³Ì¦¨¥\\ªº¦a
¤è¡G¶®«U¦@½à(·íµM«Uªº¤H½à¤£¨ì¨ä¯u¨ý)¡C¥Lªº¨ä¤¤´X­ÓÅý§Ú·P¨ì
¯S§O¦³¿³½ìªº¯SÂI¬O

1. ¥´¯}©w«ß¡C©Ò¦³®æ¦¡¤Æªº±¡¸`³£·|³Q¥´¯}¡A¥L³ßÅw play with
the audience ¡A±`±`¬°Æ[²³±a¨ÓµL­­Åå³ß¡C
2. ¦bªí¹F¥D¨¤ªº°g´b¡B´q®£®É¡A¦h¼Æ¾Éºtªº°µªk¬OÅý§A¬Ý¨¤¦âªº·P
¨ü show you his feeling by show you his face¡A¦Ó§Æªv»Õ´N¬O
let you feel the same way as he does!
3. ¦b§G´º¹D¨ã¤¤¦³¤j¶q·t³ë¡C
4. ¥Lª±ªº¤£¬OÅåÀ~¡A¦Ó¬OÄaºÃ¡A¤]´N¬O»¡¡A¥L¤£·|¥¢ÅåµL¯«À~¦º§A
...¦Ó¬O»s³y¤@­Ó³B¹Ò¡A¨Ò¦p¬O§Aª¾¹D¦³¦ó¨Æ±N­nµo¥Í¦Ó¥D¨¤¤£ª¾¡A
¥O§A«ùÄòªº·P¨ìºò±i¡B¤£¦w(by the way ®Ú¾Ú¨È¨½¤ó¦h±o»¡³o¤]¬O
§ÆÃ¾´d¼@ªº¯SÂI)¡C
[¥|­Ó¯SÂI¡A¨Ò¤l¤Ó¦h¡A­ø·Q¥´¡A±o¶~¦P§A¶É¤X...]
5. ¦Û¤w¥X³õ¡C
6. ­n¯S§O¤@´£ªºÁÙ¦³¥Lªº¤ÀÃè¡B°Å±µ¡BÄá¼v¨¤«×¡Bºc¹Ïµ¥¡A¥þ³¡³£
¬O¸g¹L¥J²Ó«ä¦Ò¤Î­p¹ºªº¡A¨C¤@­Ó¨M©w­I«á§¡¦³¨ä²`¨è·N¸q¡A¤£±o
¤£¥O§ÚÅå¼Û¡C

¬°¤°»ò§Úı±o¥L¬O¤Ñ¤~(while ¨ä¥L³ßÅwªº¾Éºt¤£¬O)¡H¦]¬°¥L¦n¥X
¾WÀY¡A«¢¡A¤Ñ¤~³£¬O¦n¥X­·ÀYªº¤£¬O¶Ü¡H¥L«Ü³ßÅw¦b tralier ¤¤°µ
¡§Á¿¥j¨Ð¡¨¡A¤S±N¦Û¤wªº¨v¹³¦L¤W¹q¼v®ü³ø - ¸Õ°Ý¦³¨º­Ó¾Éºt·|³o
¼Ë°µ¡HÁ`¤§¥L«ÜµÛ­« publicity ¡C¥O¥~¡A¥L¯uªº¡A¦n·d¯º¡C¥LÁ¿»¡
¸Üªº¸`«µºC§]§]¡A¤w¸g¦³¤@ºØ²ö¦Wªº«ÕÀq·P¡A¦Ó¥L¤S©¹©¹¦b»¡«Ü¥¿
¸g«ÜÄYµÂªº¸Ü®ÉÁôÂõۥO¤Hµo¯ºªººÍ´¼ - ­º¦¸Åý§Ú¦³³o¼Ëªº·Pıªº
¬O ¡§Dial H for Hitchcock¡¨·í¤¤¶}ÀYªº¤@¬qµu¤ù¡A¦L¹³²`¨è¡I§Ú
§â¥Lªº¸Ü¥´¥X¨Ó¨S¦³·N«ä¡A§A¿Ë¨­¬Ý¤F¤~¦³·N«ä¡C§Æªv»Õ¬O¤@­Ó¥O
¤Hµo¯ºªº¤H¡I¦ý¥Lµ´¹ï¤£¬O¥e°ò§Q¡C¦n¤F¡A³o¨Ç©TµM¬O§Ú³ßÅw¥Lªº
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¤£¬O¦b©ó¥L¦³«Ü¦h¾ÇÃѫܥ{¡A¦Ó¬O¦b©ó¥Lªí²{¥X¨Óªº¤@ºØ¤Ñ¤~ªº®ð
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³Ð§@¥u¹³¬O«H¤â©à¨Ó¦a²³æ¡A¥L­Ó¤Hªº¨ººØ«ÕÀq·P(¦h¼Æ¬O¶Â¦âªº)
¡A¥L¹ï¤H©Ê(humanity)ªº²`¨è¬}¹î¡A¥L¹ï§Þ¥©À³¦p¦ó¹B¥Îªºª½Ä±¡A
³£¥O§Úı±o¬O¤Ñ¥Íªº¡A¬O¤@ºØ intrinsic element¡A¦Ó¤£¬O«á¤Ñ­W­W
accomplish ¥X¨Óªº¡A¦Ó½T¹ê¦a¡A¥L¨ººØ±Ó¾U¡A®Ú¥»¤£¬O«á¤Ñ©Ò¯à
°ö¾i¥X¨Óªº¡C¬°¤°»ò§Ú¥u»{¬°¥L¬O¤Ñ¤~¡H Kubrick ©O¡H Scorsese
©O¡H§Úı±o¥L­Ì¥u¬O«Ü¡§µR§Q¡¨¡A«Ü¦³²´¬É¡B«Ü¥ý¾Wªº¾Éºt¡C§Æªv
»Õ¥O§Úı±o¥L¬O¤@­Ó¤Ñ¤~¡A¦]¬°§Úı±o¥Lªº¬}¹î¤O¯uªº«Ü±j¡A¦Ó¨º
ºØ²`¨I¤S«Ü¶W¥G¤@¯ë¤H¡A¥L¶i¤J¤F¤Hªº³Ì²`³B¡AµM«á¥H¤@ºØ«Ü¿W
¦³ªº¤è¦¡¨Ó§e²{³o­Ó²`²W¡A¨º¬O¤@ºØ«Ü¿W¦³¡A«Ü personal ªºÅé·|¡C¥L¨C¤@ÄÕÀ¸³£¦³¸ÔºÉªº storyboard¡AµM«á©çªº®É­Ô¡A¥L¥Ã»·¤£·|
±æÄá¼v¾÷¡A¤£·|¬Ý¿Ã¥ú¹õ...¥L¤]µ´¹ï¬O autocratic ªº¡Aºt­û¤£¬O
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ªºªí±¡¡F¦b Vertigo¡AMadeleine (Kim Novak)­n¸ò¥L¤£Â_¦a°á¹ï¥Õ
°È¨DŪ¥X¦X¾Aªº¸`«µ¡C¦n¹³¬O¡A¨C¤@®æ frame ¥L¤]¤@¦­¦³¤F³Ì
exact ªº planning ¡A¦Ó¨º­Ó planning ¤S¨Ó±o¨º»ò´ýµM¤Ñ¦¨¡A¦n
¹³¥L¥Í¨Ó´Nª¾¹D¤F¤@¼Ë¡C

[§Úª¾¹D§Ú¨S¦³»¡ªA¤O¡A©Î³\\±N¨Ó§Ú§ï¶i¤F§Ú¦A²Ó²Óªº¤ÀªR¬°¦ó§Úı
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¡A¨SÃö«Y§r¡A§@½}]

¨Æ¹ê¤W¡A³æ¬Ý¥L·|¦³¦b¦Û¤wªº¨C³¡¼v¤ù¤¤°{¤@°{ªº©ÀÀY¡A´Nª¾¹D¥L
¬O¤@­Ó¤£Â²³æªº¤H¡C¦³¬Y¨Ç¤~¨ã¡A¥u¯à¬O¤Ñ¥Íªº¡C

¤]»¡¤@¤UÅv¤O¡A§AÀ³¸Óª¾¹D¡A¥v¤Ç³ù¤w¸g¬OµL¼Æ¦~¨ÓÅv¤Oº]¤W±Æ¦æ
²Ä¤@ªº¤H¡A¦ý¦pªG§Æªv»ÕÁÙ¦b¥@¡AONLY IF HE'S STILL ALIVE...
Speilberg immediately becomes a piece of shit (yes
he already is, in terms of artistic accomplishment)! ©Ò¦³¡A
·í®É©Ò¦³²ü¨½¬¡©ú¬P§¡·Q°Ñ©óºt¥X§Æªv»Õªº¹q¼v¡A¥Ì©ó°µ¥ô¦óªº¨¤
¦â¡A¥Ì©ó³Q manipulate (¦p¤W©Ò­z)¡C¨Æ¹ê¤W§Æªv»Õ¤] manipulate
¹L©Ò¦³¨º¨Ç¤j©ú¬P¡GJames Stewart, Cary Grant, , Gregory Peck, James Mason,
Ingrid Bergman, Grace Kelly, Sean Conneary...µ¥µ¥µ¥µ¥¡C
James Stewart ´N´¿¸g¤^¨D¹L North by Northwest ·í¤¤ Cary
Grant ªº¨¤¦â¡C¥L¤]ªº½T¬O¤@­Ó«Ü¿Wµôªº¤H¡A©çÄá Marnie ®É­ì¨Ó
ªº½s¼@¸ò¥L·N¨£¦³ÂI¤£¦P¡A¥æ½Z®É¼g¤F¤@­Ó§Æªv»Õ·Q­nªº version
¡A¤]§e¤W¤F¦Û¤wı±oÀ³¸Ó¦p¦¹ªº version ¡A§Æªv»Õ´N§â¥Lª£¤F(¥Î
¡§ª£¡¨¦r¥ý°÷¶Ç¯«)¡C¦b¨º¨Ç»s§@¯S¿è¤¤...¥Lªº¤u§@¤H­û³£°í«ùºÙ
¥L¬° Mr Hitchcock¡C¤£ª¾¹D¨º¬O§Æªv»Õ©wªº³W¯x¡AÁÙ¬O¨º¨Ç¤u§@¤H
­ûµo¦Û¤º¤ßªº¤@ºØ±M­«...¦ýµL½×¬O¦óªÌ¡A§Ú¤]¦b·í¤¤¬Ý¨ì¤F¤@¥÷
¯u¸Ûªº´L·q - §A­nª¾¹D§Æªv»Õ¤w¸g³u¥@¤G¤Q¦~¤F¡A¨º¨Ç¤u§@¤H­û¤]
³£¬O«Ü¦Ñ«Ü¦Ñªº professional ¤F¡C...§Ú»{¬°¥u¦³§Æªv»Õ¤~¥i¥H¾r
¶¿¨º¨Ç big stars ¡C§Ú¤£»{¬°²{¤µ(©Î¥H©¹)¦³¤°»ò¾Éºt¦³³o»ò¤jªº
¾y¤O©M¼vÅT¤O¡A¤£¿ù¡A«Ü¦h©ú¬P¤]·|¦³§Æ±æ¯à¦X§@ªº¾Éºt¦ý¡A·|¦³
¤@­Ó¬O©Ò¦³¤H³£§Æ±æ work with and would 0²Ö¶ºÀ³¡B¤²¨ì¥h¡A°µ
ÉA³£¨î¡HI don't think so.

§Æªv»Õ³ßÅw½Ð©ú¬P¨ì®a¸Ì¦Y¶º¡A¸ò¥L­Ì¶~¸Ü®a±`¡CThe Birds ·í¤¤
ªº¤p¤k«Ä¦^¾Ð»¡¡A¨º®É¦o¥u¦³¤Q¤@¡B¤G·³¦Ó§Æªv»Õ¸ò¦o»¡¦o¦íªº¦a
¤è¦³³Ì¦nªº¬õ°s¡A¤S§i¶D¦o«ç¾iµN¦nªº¤û±Æ¡A¦Ó¦o·í®Éªº¤ÏÀ³¬O
"what odd conversation." «Ü¦n¯º¡CMarnie ªº¤k°t¨¤ Lil »¡§Æªv
»Õ±Ð¤F¦o¤@ÂIÂI«Üº¾¸H²Ó·LªººtÀ¸¤èªk¡A¦Ó¦o¤w²×¨­¨ü¥Î¡CThe Birds ªº¤k¥D¨¤Tippi Hedren¦b¾Ð­z§Æªv»Õ¦p¦ó½Ð¦o©ç¨ºÄÕÀ¸®É¬Æ
¦Ü²´ªx²\\¥ú...¦o°O±o§Æªv»Õ¸ò¤Ó¤Ó©M¸Ó¤ùºÊ¨î»P¦o¦bÀ\\ÆU¦Y¶º¡A§Æ
ªv»Õ§â¤@²°¦b¥L³Ì³ßÅwªº¤½¥q¶Rªº¥]¸Ë±o«Ü¦nªºÂ§ª«°eµ¹¦o¡A¸Ì­±
¬O°{°{ªºÂù³¾Ã̰w¡AµM«á¥s¦oºt¥X Birds ¤¤ªº Malanie Daniels.
¦o»¡¦o·í®É­ú¤F¥X¨Ó¡A§Æªv»Õ¤Ò°ü¤]¦³ÂI ¡§watery¡¨...¯u¬O·P°Ê
(¤×¨ä¬O·í§Aª¾¹D¤F Tippi Hedren »P§Æªv»Õ¤§¶¡ªº¬Y¨Ç¡§³¥¡¨¡A¦Ó
¤S¬ÝµÛ tippi hedren ²´ÀãÀã¦a¾Ð­z®É)Everyone has a sentiment
when he recalls his personal encounter with Hitchcock. §Ú
¦b·í¤¤¬Ý¨ì¤F¤@ºØ¤H±¡¨ý¡C¦b¦p¤µ³o­Ó³o»ò§Y­¹¡A³o»òµÛ­«¦¬Ã¬¡A
µÛ­«®Ä²vªº·~¬É(¤ÎªÀ·|)¡A®£©È¤£·|¦³³o¨Ç¤@¤Á¤F§a¡H
¨º¨Ç¸ò§Æªv»Õ¦X§@¹Lªº¤H...¯u¬O©¯¹B¡I
¤S¬O¨º¤@¥y

¨º­Ó®É¥N¤w¹L¥h¡C
Äݩ󨺭ӮɥNªº¤@¤Á³£¤£¦s¦b¤F¡C


Some quotes:

Let's say you have a scene between two people in a quarrel...and the girl gets up angrily and walks across the room. I'll follow her in close-up across the room to maintain the mood. But very often this isn't done; a cut-back to a longer shot is used instead...the mood of the woman's emotional disturbance is there, you should never cut back...

I spent half of my time avoiding the cliches.

One of the people working on the picture (Psycho) asked me could they lay out the sequence of the detective going up the stairs. I said, sure if you wan to have a go, lay it out in a series of sketches. I happened to be home sick that day, so I said to the assistant, I said you've got the sketches, it's a hand going up the rail, it's the feet on the tread going uo, it's a close up of the man going up, and now you get feet again and those different things, and I let them shoot them. Then when the cutter put the shots together for me, I realized they couldn't be used. The whole thing was wrong. The reason it was wrong is because these cuts belonged to a furtive individual of a menacing nature. But the detective was an innocencet pasrt, therefore you wanted an innocent shot. And I threw the whole thing out, It was a wrong montage.

Every piece of film that you put in the picture should have a purpose.

A rule that I've always followed is: Never use a setting simply as a background. Use it one hundred percent.

¦]¦¹¸ÑŪ§Æªv»Õ¹q¼v¤£¬OÆp¤û¨¤¦y¡A¤]¤£¬O²o±jªþ·|
because EVERYTHING is seriously planned to convey meaning.
¦pªG§A»{¬°³v¼Ë setting ¡A³v¥ó costume çÜ meaning ¥u¬OÆp¤û¨¤¦y¡A¨º¥u¬O¦]¬°§A¬O¤@­Ó

¥Õ·ö¡I



and you don't know what cinema is.

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