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Date Posted: 15:58:12 01/21/02 Mon
Author: PJ
Subject: Thanks for sharing the chat! Looks like this Texan won't get to see it...guess I will have to continue living vicariously.
In reply to: Susan W. 's message, "A chat with Charles Biname" on 14:43:03 01/21/02 Mon


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[> A chat with Charles Biname, cont'd. -- Susan W, 16:13:06 01/21/02 Mon


InfluenZa: With the arrival of the giant multi-plexes, and the omnipresence of the American commercial culture, do you believe that the Quebec cinema director will be threatened by marginalization?

CB: If one observes what has already happened, that which you believe has already come to pass. However, I don't know, I have the impression there has been an inspiration, and lots of diversity in our cinema in these past few years, so that this has created an in-draught (an interest?) on the public side. That is my hope, in any case.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
giz: Is it a childhood dream that you have realized?

CB: What, to be a film maker?

giz: ...to make movies.

CB: No, that happened by accident. But since I have agreed to speak about the project, it has become an adult dream to explore this small (?) and legendary universe of Seraphin Poudrier.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CB: (in response to a question) The decision about the distributor, Alliance Vivafilm, has exactly that of which you speak, that is to say, to waken the curiosity. You know, our films are commercial products that must be put into motion. Our problem in Quebec--it happens that you remember at the last minute, with a small announcement in the newspaper saying, "Come see my film!" That's suicidal! The Americans understand that, and one often sees the trailers several months in advance.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Frontenac1: [speaking of Seraphin] At what place are you shooting the film of "A man...?"

CB: Principally in Lanaudiere, near the village of Mandeville.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CB: (in response to a quesion about his budget for Seraphin) The budget is 5.7 million dollars. No it isn't sufficient for making a reconstruction, in comparison with the international plan of the films that are shot in a few hundred days, and with much more considerable means. We film in 38 days, at 11 hours per day, in a state of continual urgency...
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
(end of partial transcript)

M. Biname also mentioned that in terms of international actors, he would most like to work with Sean Penn, Robert DeNiro, and Anthony Hopkins. He also said that he planned on showing Seraphin at an international film festival in Spain, but he did not mention any plans to show the film at similar festivals in the U.S.

Susan W.


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[> [> Re: A chat with Charles Biname, cont'd. -- viv, 15:49:23 01/22/02 Tue

Excellent - thanks Susan. I'm a big Biname fan. UHESP is bound to come out in video/DVD eventually

viv


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[> [> [> I think it will come out in video/DVD too, viv. I'm not quite sure why he was so down on that idea. (r) -- sw, 22:24:36 01/23/02 Wed

I got the impression from the chat that as a Quebec filmmaker,he is feeling really squished by the reach of the Hollywood film industry. There is an old Polish expression that seems to fit: if a rock falls on an egg, alas for the egg; if an egg falls on a rock, alas for the egg. He feels that vulnerable. Yet, he still has that desire to work with some of the big Hollywood names--an interesting duality.


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